The supernatural is blazing its way into Agents Of Shield. Tara Bennett goes undercover as Marvel’s spy saga gets weird…
Rejoice, fans of freedom and all that is good – SHIELD is officially back in business.
Recap time, Eyes Only: after the covert organisation found itself infiltrated by Hydra in the second season of Agents Of SHIELD it was publicly dismantled. Director Coulson (Clark Gregg) and his team created an underground operation to battle Hydra. With the help of a team of genetically modified Inhumans called the Secret Warriors, they succeeded in stamping out Hydra by the end of season three.
Keeping up with the big-screen events of Captain America: Civil War, season four welcomes SHIELD back as a public entity, now led by Director Jeffrey Mace (Jason O’Mara), helping to enforce the Sokovia Accords.
That development doesn’t sit well for all the agents, especially Daisy Johnson (Chloe Bennet) who has left SHIELD to operate as Quake, protecting targeted Inhumans from watchdog groups trying to wipe them out. “The Inhumans are a metaphor for us in terms of what it’s like to be different,” executive producer and co-show runner Jed Whedon tells SFX. “So being able to explore some of those themes opens up a lot of story that is very personal to a lot of people for different reasons.”
“Daisy is very much at the centre of that,” adds fellow executive producer and co-showrunner Maurissa Tancharoen. “Now she’s gone rogue she is on a mission to protect Inhumans. Placing her at the centre of that helps us to explore the nature of what it means to be an Inhuman in a world that is watching them, and in a world where people might think it’s not favourable for them to be in society.”
Diese Geschichte stammt aus der March 2017-Ausgabe von SFX.
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Diese Geschichte stammt aus der March 2017-Ausgabe von SFX.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS