Truth, justice and the Gallifreyan way? As Steven Moffat tells Nick Setchfield, the Doctor’s in for his unlikeliest Christmas yet…
“Can you imagine,” says Peter Capaldi, his lean, pale face creasing into a smile, “if you’re in Midsomer Murders you never get the chance to watch someone fly into a skyscraper with a cloak on, pick up a girl and fly with her…”
The TARDIS has never troubled the corpse-littered hamlet of Midsomer but it has arrived in the ancestral home of the superhero. It’s Christmas Eve in New York – or at least an unremarkable September day in Cardiff, where a skyline backdrop of tower blocks and water tanks wraps around a rooftop set in the BBC’s bayside studios. Any day now the Doctor Who team will decamp to Bulgaria, where two blocks of an equally make-believe Manhattan stand waiting, ready to double for the city that never sleeps. New York, New York, so good they built it twice…
This unreal real estate is protected by a masked crusader known as the Ghost – part of an eternal love triangle with a mild-mannered guy named Grant and a plucky girl reporter named Lucy. Sound familiar? It should do. This Christmas the Doctor’s plunging full-tilt into the spandex-wrapped realm of superpowers and secret identities. It’s a collision every bit as improbable as the Time Lord trading clues with John Nettles in the murder capital of England.
As writer and showrunner Steven Moffat tells SFX in an exclusive interview, “The Return Of Doctor Mysterio” is Doctor Who filtered through the lens of comic book cinema. “It’s a good thing to watch on Christmas Day,” he grins. “A big superhero movie! Hopefully it’s a good family blockbuster for Christmas Day…”
Stash your sonic in your utility belt. Prepare the popcorn. Up, up and away we go…
So why superheroes?
Diese Geschichte stammt aus der February 2017-Ausgabe von SFX.
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Diese Geschichte stammt aus der February 2017-Ausgabe von SFX.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS
