Finished your list? Okay, that was a little unfair. Recently there’s been time-hopping Netflix show Dark. Otherwise, scouring our brains, all we can think of are 1966’s Raumpatrouille (best known here for its groovy lounge-jazz score), and Rainer Werner Fassbinder’s 1973 mini-series Welt Am Draht (World On A Wire). Oh, and ’70s cheese-fest Star Maidens was a German co-production. It’s fair to say making sci-television just isn’t really a German thing – especially the kind that can travel internationally.
The brainchild of showrunner/director Rainer Matsutani, Spides is his attempt to buck the trend. Set in modern-day Berlin, this eight-part series melds sci-fi, horror and conspiracy thriller with police procedural. A ’50s classic was a key inspiration.
“When I was 12,” Matsutani tells SFX, “I turned on the TV and saw an old movie called Invasion Of The Body Snatchers, made by Don Siegel. It had a big influence on me. I was fascinated by the concept: people return, and they’ve completely changed. In those times it was an allegory for the Cold War. I think it still serves as an allegory for our modern life – with digitalization and globalization, many people have the feeling they’re losing their identity.”
This latest riff on the concept sees aliens from a dying planet seeking to supplant humanity through stealth. The means: Blis, a synthetic drug that young clubbers administer via an eyedropper. The name of these invaders supplies the title.
Diese Geschichte stammt aus der July 2020-Ausgabe von SFX.
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Diese Geschichte stammt aus der July 2020-Ausgabe von SFX.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS