ELISABETH MOSS IS LOSING HER FREAKING MIND. It’s late August 2019 and SFX is in Sydney, Australia, for a set visit to The Invisible Man. The film comes courtesy of production company Blumhouse, with a screenplay by horror maestro Leigh Whannell (Saw), also directing.
A local soundstage has been transformed into a suburban home, complete with a massive kitchen – a brawl takes place here later – and numerous bedrooms. The breakdown for today’s sequence goes something like this: Cecilia Kass, portrayed by Moss, sits cross-legged on the floor of a room, staring intently at an empty armchair. Cecilia senses she is not alone when, suddenly, there’s a knock on the door.
“Hey, Cecilia, you in there?” her childhood friend James (Aldis Hodge) asks before entering.
“That door’s been locked all night,” Cecilia says, her voice cracking. “How is it that you’re able to just walk up and open it? Doesn’t that seem strange to you?”
“Yeah, it does,” he responds. After a brief moment, Cecilia continues.
“There’s someone sitting in that chair,” she says in a hushed tone. “See it? Look at it. It’s him. I know it is.”
“You want me to go check?” James offers, as his teenage daughter Sydney (Storm Reid) stands silently in the doorway. As James slowly approaches the chair, the tension mounts. Cecilia’s eyes open wide and then… Well, that nail-biting outcome constitutes a spoiler. However, either a paranoid Cecilia has gone off the deep end, or, as she suspects, a sinister unseen presence is tormenting her.
Diese Geschichte stammt aus der February 2020-Ausgabe von SFX.
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Diese Geschichte stammt aus der February 2020-Ausgabe von SFX.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS