“It’s hip-hop television!” Nick Setchfield is in New York to meet Luke Cage, the latest Marvel icon to hit the screen.
Superheroes aren’t renowned for keeping it real.
At their shiniest and most godlike – Superman, Iron Man, Thor – they soar over our cities, characters built for the sky, not the sidewalk. Even urban types like Batman or Spider-Man swoop between the steel towers of Gotham or Manhattan, high above the scuzz and squalor, above the people they’ve pledged to protect. Only the ground-level protagonists of Marvel’s ever-expanding Netflix empire – Daredevil, Jessica Jones, the Punisher – look as if they might have blisters on their heels, let alone zip codes to their names.
“People sometimes get lost in the spandex of it all,” says Cheo Hodari Coker, executive producer and show runner of Netflix’s latest comic book adap. “We focus on the drama and the human interaction in addition to the powers. It’s the opportunity to tell deeper stories.”
NEW YORK MINUTES
If you want true street credibility, you need to go looking for Luke Cage. SFX has come to New York to find him. We’re in Bedford- Stuyvesant, a neighbourhood once known as Brooklyn’s Little Harlem (tonight it’s doubling for its more famous counterpart across the East River). Here the brownstone buildings hug the horizon, a skyline lower but no less iconic than Manhattan’s skyscrapers. The dazzle of a lighting rig illuminates the huddle of townhouses and fire escapes, a camera crane caught in its sun-bright spotlight. On set, the lights of a parked police car flash in an agitated sequence of red and blue. The sirens of the true-life NYPD howl in the distance.
Diese Geschichte stammt aus der October 2016-Ausgabe von SFX.
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Diese Geschichte stammt aus der October 2016-Ausgabe von SFX.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS