Power Tripping

Some of our readers seem to believe that the essence of high-quality audio is disclosed primarily by science, and not by dreamy, bodice-ripping adventures that take place on plush carpets behind closed doors.

- Herbert Reichert

Perhaps they’re right. Unfortunately, I have had no personal experiences that confirm that hypothesis.

It also appears that some hard-core audiophiles think that recordings of music are simply tools for playing their gear. I believe that the gear and the recordings are both tools that reveal how I—and people in China, Africa, Alabama, and Detroit—feel about being stuck here together on planet Earth. For me, the better the recording and the gear, the more easily and directly I can connect with the worlds outside my bunker.

AUDIOQUEST NIAGARA 1000

With these beliefs in mind, I began my examination of AudioQuest’s Niagara 1000 Low-Z Power/Noise-Dissipation System ($995), which uses the same Ground-Noise Dissipation System and Ultra-Linear Noise-Dissipation Technology that the company touts for their $7995 Niagara 70001—but not its isolation transformers or transient power correction system. Though the Niagara was born of science and measurements, I now know, after six months of using it, that it can help me dream of Indian dancers and better understand musicians from Texas and Louisiana.

OKAY—SHOW ME: The first time I heard the Niagara 1000, Garth Powell, AudioQuest’s director of power products, had just plunked it into my system. I’d unplugged all my gear from my Home Depot outlet strip, and Powell had then plugged it all into the 20"-long dark-chromed tube of the Niagara: my First Watt F2 power amplifier into the single outlet labeled High Current, and everything else into the Niagara’s five remaining outlets. Sitting on the couch were my boss and my lifestyle consultant.

“So?” asked Powell. “What do you think?”

The difference was not heart stopping. Neither was it subtle. Everyone in the room heard it.