After a tough childhood and 20 years in the business, two saucy minutes with a grapefruit made Tiffany Haddish a superstar. Now the Girls Trip star is teaming with Kevin Hart in Night School, a rowdy comedy with deeper resonances. Total Film meets a force of nature who has learned the value of hard work.
Seated in a five-star London hotel and looking a million dollars in a floral dress and lilac boots, her gold hoop earrings almost as big as her beehive, Tiffany Haddish is reenacting the ‘grapefruiting’ scene from last year’s Girls Trip. Google it if you’re unacquainted, but not at work, for Haddish’s movie-stealing character Dina uses said fruit to show her friends how to make a man… Well, just watch it. One thing’s for sure: it makes Jason Biggs inserting his junk into a warm apple pie seem as risqué as Peppa Pig.
“I read it in the script,” grins Haddish, “and I was like, ‘Oh, I’m getting this job. I know how to do this. I’ve seen the video. I did this. That’s how I got my Corvette.’ When I was married, I got a Corvette. So I’m like, ‘Yeah, this is not a problem.’ When it came down to doing the scene, they had a person on set who was like, ‘OK, you don’t want to do this, you don’t want to do that.’ I was like, ‘You sit down, because I’ve got this.’ The first take, the crew… We had to stop because everybody fell over. Everyone was like, ‘You’re crazy!’ Jada [Pinkett Smith] spat out her cereal, and La [Queen Latifah] fell over. It took us eight takes to get it, because everybody kept laughing.”
Diese Geschichte stammt aus der October 2018-Ausgabe von Total Film.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der October 2018-Ausgabe von Total Film.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
RETURN TO OZ
WICKED Cynthia Erivo and Ariana Grande defy gravity as the Broadway smash reaches cinemas.
GRIN AND BEAR IT
SMILE 2 Trauma-horror sequel sees the curse latch onto a pop superstar...
BAD ROMANCE
TIMESTALKER Alice Lowe falls in love with the wrong man time and time again...
CLOWNING GORY
TERRIFIER 3 Creator Damien Leone says Art the Clown is coming home for Christmas...
SELF EXPRESSION
LAYLA A non-binary, British-Palestinian drag queen navigates their expression of identity.
GENA ROWLANDS
I like difficult roles,' said Gena Rowlands. No kidding. A stage, TV and film actor whose career spanned more than six decades, Rowlands will be most remembered for the series of coruscating dramas she made with her first husband, actor-turned-director John Cassavetes, between 1968 and 1984.
'NOW NOTHING IS ABOUT LOOKS OR ABOUT BEING A LEADING LADY.AND IT'S VERY LIBERATING' EMILY WATSON
Since breaking hearts in Breaking the Waves, Emily Watson has delivered countless screen masterclasses, from Gosford Park and Punch-Drunk Love to Apple Tree Yard. Now, the English star goes toe-to-toe with Cilllan Murohy in Irish drama Smeal/ Things like hese and fronts 1V prequel Dune: Prophecy. Is it her second coming? It's elementary, my dear Watson...
BLODD PRESSURE
BASED ON STEPHEN KING'S MOST INFLUENTIAL BOOK AND WRITTEN AND DIRECTED BY IT SCRIBE GARY DAUBERMAN, VAMPIRE MOVIE SALEM'S LOT FACED AN UNHOLY FIGHT TO GET TO OUR SCREENS. TOTAL FILM HUNTS DOWN DAUBERMAN AND STARS LEWIS PULLMAN AND MAKENZIE LEIGH TO LEARN ALL THAT WAS AT STAKE...
Lucky Man
He broke out in Beatles jukebox musical Yesterday and has a varied slate of juicy projects on the horizon, including a very different take on a superhero franchise. But, as the everhumble Himesh Patel tells Total Film, he puts a lot of it down to luck...
A BUE ABOVE
WORLD-BUILDER EXTRAORDINAIRE RIDLEY SCOTT IS ALSO THE MASTER OF THE DIRECTOR'S CUT, RESTORING HIS MISHANDLED GEMS INTO MASTERPIECES. WITH THE EXPANSIVE DIRECTOR'S CUT OF NAPOLEON NOW AVAILABLE TO STREAM, TOTAL FILM SPEAKS TO THE GREAT SCOTT ABOUT BLOWING UP BONAPARTE HIS RELATIONSHIP WITH EDITING AND WHY BIGGER IS (USUALLY) BETTER.