As Marc Jacobs branches into skincare, he talks beauty beginnings, ritual and the magic of drag.
Imagine, for a moment, the gems that would go viral had Diana Vreeland lived in the age of Twitter. Yes, the iconic magazine editor was known for her impeccable eye and her generally fabulous lifestyle, but just as significant was her quick and irrepressible wit, apparent in the surfeit of sharply observed bon mots that have survived her. Such as, “You don’t have to be born beautiful to be wildly attractive.” Or, “Too much good taste can be boring.” Or even, “People who eat white bread have no dreams.” Her “Why Don’t You” column alone, which first appeared in a 1936 issue of US Harper’s BAZAAR, was a bounty of quips in the form of advice: Why don’t you “knit yourself a little skullcap?” “turn your old ermine coat into a bathrobe?” and “wash your blond child’s hair in dead champagne, as they do in France?” But, in 2019, the Vreeland-ism that feels perhaps most relevant is a word she coined way back in 1965: youthquake. Conceived to describe the seismic shifts happening in Britain’s youth culture at the time, the term seems just as fitting now as we find ourselves in the midst of another youth-led wave of change.
Diese Geschichte stammt aus der September 2019-Ausgabe von Harper's Bazaar Australia.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der September 2019-Ausgabe von Harper's Bazaar Australia.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Grounded In Gotham
As she acclimatises to life under lockdown in her adopted city, model Victoria Lee reflects on fear, family and the fortitude of New Yorkers
Woman Of Influence Ingrid Weir
With a knack for elevating creative yet quotidian spaces and a love of bringing people together, the interior designer is crafting a sense of community among young artists.
CODE of HONOUR
At Chanel’s latest Métiers d’art showing, house alums Vanessa Paradis and daughter Lily-Rose Depp reflect on the red-carpet alchemy of Coco’s beloved bow, chain, camellia and ear of wheat.
Stillness in time
Acclaimed Australian fashion designer Collette Dinnigan’s new life in Italy has been a slowing down of sorts — but now, with coronavirus containment measures in play, life inside the walls of her 500-year-old farmhouse in Puglia has taken on a different cast, she writes
In the BAG
Aussie expat Vanissa Antonious from cult footwear brand Neous on going solo and stepping up her accessory offering.
uncut GEMMA
Forging her own path while paying it forward to the next generation, actor Gemma Chan is the (very worthy) recipient of the 2020 Women In Film Max Mara Face of the Future Award. She reflects on fashion, the Crazy Rich Asians phenomenon and red-carpet alter egos with Eugenie Kelly
THE TIME IS NOW
Esse Studios founder Charlotte Hicks’s slow-fashion model may just blaze a trail for the industry’s new normal. She talks less is more with Katrina Israel
COUPLES' THERAPY
Brooke Le Poer Trench ruminates on the trials and tribulations of too much time together
CALM IN A CRISIS
Caroline Welch was a busy woman who wrote a book on mindfulness for other busy women. Now, in the midst of a worldwide pandemic, she has started to take her own advice
ACCIDENTALLY RETIRED
As we settle into the new normal of lockdown, Kirstie Clements finds a silver lining in the excuse to slow down and sample the low-adrenaline lifestyle of chocolate digestives, board games and dressing down for dinner