Between 2018 and 2022, Jodie Comer became a star with her virtuoso performance as the gorgeous, gleefully sociopathic assassin Villanelle on the BBC America series Killing Eve, winning a BAFTA and an Emmy and causing everyone to freak out about how great she was. But what she’d always wanted to do was act on the stage. As a 12-year-old in Liverpool, she won first prize at a local drama festival for a monologue about the 1989 Hillsborough Stadium disaster, and at 17 she appeared in a play called The Price of Everything at a theater-in-the-round in Scarborough, North Yorkshire. Still, despite continuing to audition for theatrical roles while she worked in TV and film throughout her teens and 20s, the stage remained elusive. “A lot of the feedback was great,” Comer tells me over tea in New York in her unvarnished Scouse accent. (She is apartment shopping in the city when we meet, a big step after living at home with her parents and younger brother for much of the pandemic.) “But one thing that was resounding was, like, ‘She hasn’t been to drama school and this is too big a task for someone who isn’t classically trained.’ I used to feel quite defeated by that.”
Diese Geschichte stammt aus der March 2023-Ausgabe von Vogue US.
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Diese Geschichte stammt aus der March 2023-Ausgabe von Vogue US.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Nothing Like Her
Billie Eilish was adored by millions before she fully understood who she was. Now, as she sets out on tour without her family for the first time, she is finally getting to know herself.
Coming Up Rosy - The new blush isn't just for the cheek. Coco Mellors feels the flush.
If the eyes are the window to the soul, then our cheeks are the back door. What other part of the body so readily reveals our hidden emotions? Embarrassment, exuberance, delight, desire, all instantly communicated with a rush of blood. It's no wonder that blush has been a mainstay of makeup bags for decades: Ancient Egyptians used ground ochre to heighten their color; Queen Elizabeth I dabbed her cheeks with red dye and mercuric sulfide (which, combined with the vinegar and lead concoction she used to achieve her ivory pallor, is believed to have given her blood poisoning); flappers applied blush in dramatic circles to achieve a doll-like complexion, even adding it to their knees to draw attention to their shorter hemlines
Different Stages
A trio of novels spirits you far away.
The Wizard
Paul Tazewell’s costumes for the film adaptation of Wicked conjure their own kind of magic.
THE SEA, THE SEA
A story of survival on a whaling ship sets sail on Broadway. Robert Sullivan meets the crew behind the rousing folk musical Swept Away.
STAGING A COMEBACK
Harlem's National Black Theatre has been a storied arts institution in need of support. A soaring new home is shaping its future.
Simon Says
Simon Porte Jacquemus, much like his label, resonates with the sunny, breezy French South-but behind the good life, as Nathan Heller discovers, is a laser focus and a shoulder-to-the-wheel work ethic.
MOTHER SUPERIOR
The character of Rose in Gypsy is the acting Everest for many one-name acting legends. This fall, Audra McDonald takes it on.
WALK THIS WAY
THE FASHION FOR OUR FUTURE MARCH HAD A SINGULAR PURPOSE: TO GET OUT THE VOTE.
Written in Stones (and Etched in Metal)
Three years after taking the reins at Bottega Veneta, Matthieu Blazy unveils his first fine jewelry collection.