A new play centered on the Calais refugee camp sparks a visceral response.
JOE ROBERTSON AND JOE MURPHY met eight years ago while studying English at Oxford and were soon writing their first play together—a surreal comedy set in a decrepit English country house. “And then we just never stopped, really,” says Robertson.
Three years ago, “the two Joes,” as they are known, were electrified by the images from the world’s refugee crises, which have seen 21.3 million displaced people on the move around the globe. “The basic questions that we were asking— who are these people, where are they coming from, why are they traveling, where do they want to get to?—weren’t being answered,” says Robertson, “and we made the—probably naive—decision to try and find out.”
Diese Geschichte stammt aus der December 2018-Ausgabe von Vogue.
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Diese Geschichte stammt aus der December 2018-Ausgabe von Vogue.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
FINAL CUT
\"WE WANT YOU TO GO FOR IT!\" ANNA TOLD ME
SCREEN TIME
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Blossoms Dearie
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HOME
Six years ago, Marc Jacobs got a call about a house designed by Frank Lloyd Wright. Making it his own, he writes, would be about love, commitment, anxiety, patience, struggle, and, finally, a kind of hard-fought, hard-won peace.
GIRL, INTERRUPTED
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BOOK IT
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Three new exhibitions offer an expansive view.