Frida Escobedo
Thrust into the spotlight in 2018 when selected to design the Serpentine Pavilion, the prolific Mexican architect advocates variety in work, and champions diversity and female creativity in her future leaders
INTERVIEW: ELLIE STATHAKI
Frida Escobedo is busy. While the pandemic slowed things down a bit for her and her Mexico City practice, also coinciding with a break from academic teaching, business is now picking up again. She currently has some 15 projects on the go, is about to travel to Europe to meet a client, and has been knee-deep prepping for a new design workshop she is about to lead at the Yale School of Architecture, kicking offin spring 2022. It is a stage of intense research and preparation, an incredibly demanding and rich period in an architect’s creative process that often remains unseen.
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Diese Geschichte stammt aus der October 2021-Ausgabe von Wallpaper.
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COOL RUNNINGS
Palace founder Lev Tanju is bringing his own unexpected brand of weirdness and love of eclectic mash-ups to Fila's new contemporary line
LIVING COLOUR
Mexico's San Miguel de Allende is home to a bold young crowd of talent that's thriving off the city's brightly-hued heritage
STARS ASCENDING
In a rapidly changing world, the route designers take to discover their calling is increasingly circuitous. We profile ten creatives forging their own paths to success
SUITE DREAMS
Cathay Pacific’s new aircraft interiors turn the inflight experience into an art form, upgrading the business-class cabin for the next generation of flyers
Brutal harmony
The Escheresque Italian villa designed by Fausto Bontempi for sculptor Claudio Caffetto
LOCAL HERO
London studio Holloway Li’s recent makeover of Polish hotel Puro Poznan is right up our street
STAR TURNS
An exhibition at Louvre Abu Dhabi unveils the stellar shortlist for this year's Richard Mille Art Prize
SCREEN GEM
A multifaceted residence in Beverly Hills puts the beauty of potentiality in the frame
SOFT SPOT
We've taken a shine to Bottega Veneta's collaboration with Flos on a special edition of a Gino Sarfatti lamp
Between the lines
Frequently drawing comparisons with Francis Bacon, painter George Rouy is gaining peer points for his use of classic techniques to distort the human form