Moving the Cattle – Quipolly
Artists Palette|No 170
This landscape specialist has chosen a rural scene at the foot of the hills at Quipolly, not far from Quirindi in the New England region of New South Wales.
John Shields
Moving the Cattle – Quipolly

To achieve the best results, I commenced the painting with the attitude ‘this is going to be the best painting I have attempted up to this date’.

The following steps have worked for me. I have developed them over the past 40 years. However, individuality is one of the strengths of art. You would be well advised to be selective and choose only those methods which work for you.

I worked from the horizon upwards and downwards, increasing the strength (tone) of my colours as I progressed.

I blocked in shapes using the darkest colour (‘mother colour’) and then added in details and highlights with colours produced from the ‘mother colour’.

STEP ONE

To determine the composition I firstly divided the board into thirds, forming nine rectangles. The lines were drawn very faintly, and the focal point became one of the points where the lines intersected. This method ensures that the main object of interest will not appear in the centre or too near the edge of the composition. The horizontal lines can also serve as a guide when painting seascapes.

Using my reference photographs, I sketched the composition in paint thinned with turps (CB or IR). The composition is extremely important. I painted the composition in roughly, with the distant hills (horizon) lying near the top one-third line. The main tree and horseman occupied the bottom right focal point area. For balance I placed a second prominent tree on or near the other vertical one-third line. Also for balance the scene had approximately one-third devoted to the sky, one-third to the middle and far distance and onethird to the foreground. Of course, rules are made to be broken.

Diese Geschichte stammt aus der No 170-Ausgabe von Artists Palette.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

Diese Geschichte stammt aus der No 170-Ausgabe von Artists Palette.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

WEITERE ARTIKEL AUS ARTISTS PALETTEAlle anzeigen
Eye of Observation
Artists Palette

Eye of Observation

Draw, draw, and draw some more; develop your artist’s eye of observation. Sterling advice from a lady who believes that seeing shapes in paintings requires a truly ‘arty’ eye.

time-read
6 Minuten  |
No 172
Pelicans To Portraits
Artists Palette

Pelicans To Portraits

This lady has painted everything from pelicans to portraits. She has completed commissions including cats, dogs, horses, possums, numerous beach scenes … and even a Scottish piper.

time-read
5 Minuten  |
No 172
Gregory John Brennan: Lost Profession
Artists Palette

Gregory John Brennan: Lost Profession

Looking back on his early career as a bulldozer driver, this rural New South Wales painter laments the days when he was too young to appreciate his outstanding potential as an artist.

time-read
3 Minuten  |
No 172
Pastels: Once We Were Important
Artists Palette

Pastels: Once We Were Important

A simplified and well named painting tells a powerful and interesting story. This clever pastel artist is delighted to share her techniques for the benefit of others.

time-read
4 Minuten  |
No 172
Fibre Art
Artists Palette

Fibre Art

This artist feels that the hardest lesson she had to learn was to believe in herself … and once she did that, everything started to fall into place and her confidence grew.

time-read
5 Minuten  |
No 172
Water Lily Magic
Artists Palette

Water Lily Magic

Instead of paper and paint, this artist uses fabric and threads … and she uses a sewing machine instead of a brush. The textures, colours and prints of fabrics thrown together with threads fascinate her, and often give inspiration for her designs.

time-read
2 Minuten  |
No 172
Loading Wheat – 1920s
Artists Palette

Loading Wheat – 1920s

It is rare to see an artist displaying this level of skill and understanding in capturing the activity and atmosphere of bygone days from Australia’s agricultural history.

time-read
1 min  |
No 172
‘Jama' – King Cheetah
Artists Palette

‘Jama' – King Cheetah

This exquisitely talented lady believes that every artist has failures … but it is important to remember that every success is better than the one before.

time-read
5 Minuten  |
No 172
Blahuta's Ute
Artists Palette

Blahuta's Ute

Early in the year we ran a feature about ‘Utes in the Paddock’ – a landmark project by several notable artists. In this article, one of those artists shares his story and some of his views … and describes the process of creating his own piece of an amazing collaborative work.

time-read
4 Minuten  |
No 172
Artists Palette

Artists' Easels

Many important tools are employed by artists in creating their paintings. Artists’ easels are now available in a host of styles and configurations to enhance the creative process. Some of your favourite art materials suppliers are more than pleased to highlight a selection of the many products being offered.

time-read
7 Minuten  |
No 172