STEP ONE
This first step can take many months to achieve. I can do dozens of small sketches before I arrive at the composition that best expresses what I am trying to convey in the painting. In these drawings I will look at elements like movement and rhythm, and interesting negative and positive shapes (including shapes that echo other shapes). I try to vary the sizes of shapes to stop them all being the same size – which would create boring areas in the painting. At this stage, nothing is set in concrete; and I nearly always make changes after I have transferred my ideas onto canvas – as I can then step back and view the drawing from a distance.
STEP TWO
Once I have transferred my idea onto the canvas, I outline all elements in a mixture of different colours. This is random in some areas and intentional in other areas where I know I will be juxtaposing them with contrasting complementary colours or discordant split complementary colours. At this stage I have a vague idea of which colours will go where, but this can and does often change, as I continually analyse colour relationships in the painting. Even at this stage I am not afraid to change or go over something I think is not working. Next, I start to block in areas of solid under-colour.
STEP THREE
Diese Geschichte stammt aus der No 167-Ausgabe von Artists Palette.
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Diese Geschichte stammt aus der No 167-Ausgabe von Artists Palette.
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Artists' Easels
Many important tools are employed by artists in creating their paintings. Artists’ easels are now available in a host of styles and configurations to enhance the creative process. Some of your favourite art materials suppliers are more than pleased to highlight a selection of the many products being offered.
