The 2016 Pritzker Prize winner, 2018 RIBA Charles Jencks Award laureate and India Design ID 2019 speaker imparts his inimitable wisdom.
“I was 17 at the time, and I have absolutely no idea why I started studying Architecture. But once I was enrolled in university, I understood that there was a whole body of knowledge that had to be swallowed and that deserved rigorous dedication. And I mean the buildings themselves. I felt like I was already late, so I started drawing and measuring the structures to try to learn from the infinite chain of decisions that a design is.” Alejandro Aravena’s initiation to the field that he is now revered in was not as straightforward as most would assume. After graduating from Universidad Católica de Chile in 1992, with a revitalised passion for his chosen province, he set up his own practice, Alejandro Aravena Architects in 1994.
When asked about his sources of inspiration, the maverick’s response is a typically unique one. “We don’t like the word inspiration. We spend time at the beginning designing the question. There is nothing worse than answering the wrong question well. So we work very hard, and carefully at the same time, to identify the forces at play for a given project. Economics, social issues, political goals, the time frame, budget, the environment — these are measurable aspects. But there are also variables that interest us — the expectations, fears, desires, or even anger that different stakeholders may have for the project. We ‘inform the form’ of a building. Only then do we jump into the design. And for that we use a very powerful tool which is intuition, not inspiration.”
Diese Geschichte stammt aus der February - March 2019-Ausgabe von Elle Decor India.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der February - March 2019-Ausgabe von Elle Decor India.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
BRAND NEWS
Exciting new releases, store launches and the coolest finds in furniture, lighting and home appliances-our curated selection of what you need to look out for this season
CITY BEAUTIFUL, CITY PERFECT
Does Chandigarh belong only to Corbusier? In reclamation of the Modernist past as a living present, Noor Dasmesh Singh engages with the metropolis through photography and dialogue
CRAFTING THE FUTURE - ECLECTIC ENIGMA
Traditions are not absolute. Vikram Goyal's Viya charts the way ahead for living with craft legacies
3 REASONS TO VISIT - OBJECTS LIKE COLLECTIBLES
It's a new world for retail and design in Bengaluru with the General Items store that doubles up as a bijou gallery by Tiipoi's Spandana Gopal alongside sourcing consultant Malini Malik
CULTURAL AWAKENING - THE JEWELS OF HERITAGE
Four leading designers and their vivid expressions of India's historical legacy frame the art-like canvas of OBEETEE Carpet's new collection of hand-knotted carpets
PLAYING MUSE - CREATIVES IN THE HOUSE
Setting the table for a veritable design feast, Natalier by Bent Chair unveils an experience centre with a members-only clubhouse in New Delhi
COOL CLASSICS - MARBLE OVER MIND
Bengaluru-based Marble Centre International brings exquisite natural stones to India sourced from quarries around the world
WHEN IN KASHMIR - LIVE THE LOOM LIFE
Aadyam Handwoven spotlights the art of Pashmina weaving, their Autumn-Winter collection an ode to India's heritage
FASHION COMES HOME - LOVE AT FIRST NEUTRAL
When worlds collide. Fashion savant Rhea Kapoor's collection of home decor in collaboration with Altrove is the LBD-equivalent of decor: minimal, muted and classic. A collaboration for the design books!
A STOP AT THE SCI-FI STATION
All aboard the future! Studio Symbiosis proposes a train station in Bengaluru that keeps alive the spirit of the Garden City