A challenging house above Matiatia has softened into the Waiheke Island landscape, without losing its edge.
On the ferry over to visit the house, I ask Glamuzina whether he was aware of the public nature of the houses viewable from the ferry and if he anticipated the criticism. “You have no way of not being aware,” he says. “I was coming here at least once a week while it was being built and it was pretty intense. But I got used to that awareness of doing something public. The fact that people love or hate it is great. I would sit at the back of the boat and occasionally talk to people about it, but I was never worried about whether they hated it.”
The house sits high on the crest of a large rural site, facing east towards Coromandel, north towards Rangitoto Island, and slightly west to downtown Auckland. Arriving by ferry, it’s seen to your right as you approach the terminal. From a distance it looks like a familiar modernist stack of boxes – glass on the bottom, some undefinable metal on top. Now that the house has settled into the landscape, it’s hard to imagine it raising anyone’s blood pressure. But, 10 years ago, the copper-cladding was bright and glistening and some residents saw it as ostentatious.
Diese Geschichte stammt aus der December 2017-Ausgabe von HOME.
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Diese Geschichte stammt aus der December 2017-Ausgabe von HOME.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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The Past Is Present
In exhibitions at public galleries around the country, artists reflect on our collective, individual and cultural histories.
Why I Walk Carl Douglas
How the experience of walking reveals our world to us and informs our sense of our place in it.
My Favourite Building Chlöe Swarbrick
Built on Auckland’s Karangahape Road in the 1920s, St Kevin’s Arcade has served as vocational inspiration and a meeting place for the Green MP since she was a teenager.
Humble Special
PAC Studio designs a home on a tiny budget in the bush above the Kaipara Harbour.
Modern Love
Assembly Architects draws on lightweight Californian modernism to craftan elegant mountain retreat.
Family Tree
On a leafy site in the Waikato, Tane Cox crafts a subtle home for three generations
LOW PROFILE
Sometimes, strict covenants can be a blessing in disguise.
Fine Line
A house in a vineyard by Stuart Gardyne shows country living need not be rustic.
Elegant Shed
Ben Daly rehabilitates a farm building with a long family history on the Canterbury Plains.
Perfect Pitch
An encampment by an inlet casually inhabits land at Tawharanui.