On the ground floor of an Edwardian country pile in West Linton built in the 1920s by the current occupant’s grandfather, this drawing room plays homage to evocative, timeless design. For Edinburgh-based interior designer Jessica Buckley, having a client whom she describes as “outgoing, fun and a lover of colour” made this a dream commission.
The brief was straightforward: to update and decorate an austere, unloved, uninviting room that the family never used. Buckley knew she had to harness its standout features – the original oak panelling, generous dimensions and lots of natural light – if she was going to bring it back to life.
Diese Geschichte stammt aus der September - October 2020-Ausgabe von Homes & Interiors Scotland.
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Diese Geschichte stammt aus der September - October 2020-Ausgabe von Homes & Interiors Scotland.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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MEET THE MAKER RACHEL MACLELLAN
You might think the process is purely creative, but designing knitted textiles requires a deep understanding of geometry and pattern calculations. It is intricate and often mathematical. I have learned that knitting demands a constant balance between artistry and engineering. Creating a new textile involves not only selecting colours and yarns but also considering the tensile strength, elasticity and drape of the material. That way, I ensure the final product is both aesthetically pleasing and functional. To me, this blend of creativity and technical precision is a fascinating aspect of knitted textile design.
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This family-orientated Georgian kitchen gets an upgrade in both footprint and finish
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LAURA THOMAS
The environmentalist has become a very successful entrepreneur whose products are stocked by Scotland's best hotels