David Marks has been a studio furniture maker in Santa Rosa, CA for over 40 years and was the host of the popular woodworking television program WoodWorks on the DIY network. He also has been a contributor to Woodworker West, since 2004.
All 91 episodes of the seven seasons of WoodWorks can be purchased as DVDs—by season — or as individual downloadable episodes, from David’s eStore at: www.djmarks.com/estore/.
David conducts hands-on classes in his Santa Rosa, CA studio. 2019 classes are:
July 12-14 Gilding & Chemical Patination
Aug. 16-18 Marquetry & Inlay
Oct. 3-7 Creative Turning
Oct. 17-21 Creative Turning
Dec. 6-8 Gilding & Chemical Patination
Class details are available at the website: www.djmarks.com/classes/.
Gilding & Chemical Patinations: What is it and What Can You Achieve?
We have talked about gilding and patinations frequently in this space, but some of you may not truly understand the procedure. Gilding involves laying very thin layers of metal leaf on a surface of a workpiece. Most people are familiar with gold leaf, but other metals are available in leaf form. Because patination involves tarnishing or oxidizing the metal, genuine gold is not used because it resists tarnishing. Genuine gold can be used for a contrasting accent; it will not oxidize to create a patina. Metals appropriate for patination include copper, silver, and Dutch metal leaf (aka composition gold), which is gold in color.
Chemical patinas are achieved by oxidizing the metal leaf with mild acids. Patina chemicals are mild acids that will change the color of the metal leaf (silver, copper, and Dutch metal aka composition gold). The chemicals may be applied with a brush, sea sponge, spray bottle, or rag. The intensity of the color may be controlled by how much and how long the acid is applied
The applications and effects you can achieve with the gilding and chemical patination techniques—presented in our 3-day hands-on classes in July and December)—are almost limitless.
Diese Geschichte stammt aus der July - August, 2019-Ausgabe von Woodworker West.
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Diese Geschichte stammt aus der July - August, 2019-Ausgabe von Woodworker West.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Education: 2022 Design Emphasis
The next generation of furniture designers were on display at the 2022 Design Emphasis, the biennial student design competition exhibition held in conjunction with last summer’s International Woodworking Fair IWF) in Atlanta, GA.
Profile: Leo Litto
Leo Litto of Austin, TX is an award-winning maker of heirloom quality furniture. Here is Leo's story, in his own words:
Tools & Techniques
It’s All Problems
Profile: John P. McCormack
As the Port Townsend School of Woodworking welcomes master woodworkers from around the Northwest to their November Woodworking Show, we caught up with its newest faculty member, John P. McCormack. Here is John’s story in his own words:
From David Marks Studio- Patina Applications & Questions
For years, many of you have read my discussions about gilding and chemical patination techniques, but are unsure about its application to your own work. I'd like to share a recent email from Sandra Walkin of Louisiana, who took my Gilding & Chemical & Patination class and a 2-day private class in 2015:
Education: NW Woodworking Studio
Education: NW Woodworking Studio
Tools & Techniques Small Shop Design
Tools & Techniques Small Shop Design
From David Marks Studio Answering Reader's Questions
From David Marks Studio Answering Reader's Questions
Profile: Marco Cecala
Marco Cecala of Phoenix, AZ is a talented craftsman, beginning a transition into full-time furnituremaking. Here is Marco’s story, in his own words:
Turning Topics AAW Members' Exhibition
Continuum
