THE UK WAS STARKLY DIFFERENT IN THE ‘90S, not least because of Britpop, then the country’s prime cultural export. Less a music genre per se and more a movement in and of itself, Britpop was one aspect of Cool Britannia, a resurgence of pride in everything British – especially its music. Suede was at its forefront, and widely recognised as Britpop’s herald; the band’s namesake debut record is considered to be among the first Britpop albums ever released, well before contemporaries like Blur or Oasis made waves of their own.
Suede owed much of its popularity to frontman Brett Anderson. The lanky singer wasn’t just handsome, but also emanated a raw sexual energy on stage that few could match, thanks to his androgynous image. With a vocal performance that carried hints of ’70s Bowie, Anderson anchored the brand’s sound and helped to define the decade of music that followed.
Fast forward almost 30 years, and Suede is still making music. Their latest record, 2018’s The Blue Hour, is widely lauded as a late-career masterpiece. Meanwhile, Anderson has branched out into writing and published two very well-received memoirs. Gone is his gender fluidity. The man’s magnetic charm remains though. It’s in his mannerisms as he poses for the camera, in the way he effortlessly talks about absolutely anything from his past to Hieronymus Bosch, and in that je ne sais quoi that’s simply impossible to pin down.
Suede has released three successful albums since its return in 2010, and each was better than the previous. How has the band sustained itself creatively?
Diese Geschichte stammt aus der Issue 155-Ausgabe von August Man SG.
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Diese Geschichte stammt aus der Issue 155-Ausgabe von August Man SG.
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