THE Dissolution of the Monasteries under Henry VIII freed up large tracts of land throughout East Anglia, allowing the newly rich gentry to create farms and estates on former monastic lands. In the late Tudor period, prosperous landowners built grand country houses for themselves, together with farmhouses and cottages for the tenants who worked the land.
The building material of choice was often brick, first introduced from the Low Countries in the late medieval period—some imported as ballast aboard ships exporting English wool to the Continent, others made in brickyards established in East Anglia by Dutch immigrants. It was all part of a tradition of fine craftsmanship that still survives throughout the region, as can be seen in a number of meticulously restored houses that have recently come onto the market.
Launched in today’s COUNTRY LIFE at a guide price of £2.95 million through the Chelmsford office of Strutt & Parker (01245 254600), Grade II-listed Coggeshall Hall near Kelvedon, Essex, is an immaculate country house of great character set amid the open countryside of north Essex, with 12 acres of formal gardens and pasture bounded to the east by the River Blackwater.
Described by selling agent Mark Rimell as ‘a house of two halves’, it comprises a late16th-century house built, according to its Historic England listing, ‘circa 1575, mainly timber-framed and plastered with some weatherboarding and plum bricks in Flemish bond, roofed with handmade red plain tiles, with an early 19th century cross-wing of plum brick forming a T-plan and later entrance elevation’.
Diese Geschichte stammt aus der April 28, 2021-Ausgabe von Country Life UK.
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Diese Geschichte stammt aus der April 28, 2021-Ausgabe von Country Life UK.
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Save our family farms
IT Tremains to be seen whether the Government will listen to the more than 20,000 farming people who thronged Whitehall in central London on November 19 to protest against changes to inheritance tax that could destroy countless family farms, but the impact of the good-hearted, sombre crowds was immediate and positive.
A very good dog
THE Spanish Pointer (1766–68) by Stubbs, a landmark painting in that it is the artist’s first depiction of a dog, has only been exhibited once in the 250 years since it was painted.
The great astral sneeze
Aurora Borealis, linked to celestial reindeer, firefoxes and assassinations, is one of Nature's most mesmerising, if fickle displays and has made headlines this year. Harry Pearson finds out why
'What a good boy am I'
We think of them as the stuff of childhood, but nursery rhymes such as Little Jack Horner tell tales of decidedly adult carryings-on, discovers Ian Morton
Forever a chorister
The music-and way of living-of the cabaret performer Kit Hesketh-Harvey was rooted in his upbringing as a cathedral chorister, as his sister, Sarah Sands, discovered after his death
Best of British
In this collection of short (5,000-6,000-word) pen portraits, writes the author, 'I wanted to present a number of \"Great British Commanders\" as individuals; not because I am a devotee of the \"great man, or woman, school of history\", but simply because the task is interesting.' It is, and so are Michael Clarke's choices.
Old habits die hard
Once an antique dealer, always an antique dealer, even well into retirement age, as a crop of interesting sales past and future proves
It takes the biscuit
Biscuit tins, with their whimsical shapes and delightful motifs, spark nostalgic memories of grandmother's sweet tea, but they are a remarkably recent invention. Matthew Dennison pays tribute to the ingenious Victorians who devised them
It's always darkest before the dawn
After witnessing a particularly lacklustre and insipid dawn on a leaden November day, John Lewis-Stempel takes solace in the fleeting appearance of a rare black fox and a kestrel in hot pursuit of a pipistrelle bat
Tarrying in the mulberry shade
On a visit to the Gainsborough Museum in Sudbury, Suffolk, in August, I lost my husband for half an hour and began to get nervous. Fortunately, an attendant had spotted him vanishing under the cloak of the old mulberry tree in the garden.