IN 1927, the Bloomsbury publisher Faber and Gwyer (Faber & Faber from 1929) announced a new series of booklets suitably decorated in colours and dressed in the gayest wrappers', featuring Christmas-themed poems. With artwork supplied by established and rising talents, such as Paul and John Nash, Eric Ravilious, Eric Gill and Edward McKnight Kauffer, the publisher hoped they would find a place in the Christmas gift market. Thomas Hardy, G. K. Chesterton, W.B. Yeats and Siegfried Sassoon were among those who contributed poems to the series. T. S. Eliot, who had joined Faber two years earlier as a literary editor, having left his City job in Lloyds Bank's Colonial and Foreign Department, was to write six of what became known as The Ariel Poems. The first of these was Journey of the Magi.
The publication of the poem at Christmas 1927 came at a timely moment in Eliot's life, after his reception into the Church of England earlier that year. Eliot later explained that the poem asked the question: How fully was the Truth revealed to those who were inspired to recognise Our Lord so soon after the Nativity?'
The poem was framed around the Biblical journey of the three kings, or wise men, who came from the East to pay homage to the baby Jesus in Bethlehem. The power of the verse lay in the way Eliot turned it into a first-person narrative by one of the magi. Rather than a joyous pilgrimage, he described an arduous trek through the very dead of winter? With references to such a long journey', with camels galled, sore-footed', moving through cities hostile and towns unfriendly, it became a metaphor for the voyage Eliot believed the human spirit must make to experience Christ.
Diese Geschichte stammt aus der December 15 - 22, 2021 (Double Issue)-Ausgabe von Country Life UK.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der December 15 - 22, 2021 (Double Issue)-Ausgabe von Country Life UK.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery
