MAKING wallpaper has been a tradition since printing presses were invented in the Middle Ages (Dürer was an early adopter) and over subsequent centuries it has swung in and out of favour. In the 1990s, the unstoppable rise of Farrow & Ball created a fashion for the nuances of paint. Recently, however, a new generation drawn to a more layered look and the transformative possibilities of wallpapers has precipitated a revival of interest, coinciding with the arrival of digital technology and its exciting new possibilities.
Although digital printing is less labour intensive than traditional block, screen or surface printing, the quality was initially variable. Now, the technology has come on leaps and bounds and digital printing can mimic the subtle nuances of traditional techniques. It has created opportunities for smaller design firms to establish their own print-on-demand collections, offering consumers an almost infinite choice of pattern and prints.
'Digital printing can now mimic the subtle nuances of traditional techniques'
Diese Geschichte stammt aus der April 06, 2022-Ausgabe von Country Life UK.
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Diese Geschichte stammt aus der April 06, 2022-Ausgabe von Country Life UK.
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Kitchen garden cook - Apples
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The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery
