On July 31, 1891, The British Architect recorded the sale of the Athelhampton estate, near Dorchester, which it claimed as a ‘chief seat of the Saxon kings, especially King Athelstan’. It reported that there had been ‘prolonged negotiations’ over the purchase, but that the property and the manor house upon it had at last ‘found an appreciative buyer in Mr de Lafontaine… Antiquarians will be glad to learn that this rich example of pure Tudor work will be preserved as one of England’s ancient homes’.
As this published note implies, this ‘ancient home’ already enjoyed unusual celebrity. It had been depicted in two plates of Joseph Nash’s popular The Mansions of England in the Olden Time (1839–42), pictured in J. Pouncy’s Dorsetshire Photographically Illustrated (1857) and even engraved for The Illustrated London News (1884). It had also been repeatedly visited by national and local antiquarian societies including the Royal Archaeological Institute, whose unfortunate members in 1868 ‘inspected numerous objects of interest in the house… but being pressed for time [were] unable to partake of luncheon’.
Diese Geschichte stammt aus der May 26, 2021-Ausgabe von Country Life UK.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der May 26, 2021-Ausgabe von Country Life UK.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Happiness in small things
Putting life into perspective and forces of nature in farming
Colour vision
In an eye-baffling arrangement of geometric shapes, a sinister-looking clown and a little girl, Test Card F is one of television’s most enduring images, says Rob Crossan
'Without fever there is no creation'
Three of the top 10 operas performed worldwide are by the emotionally volatile Italian composer Giacomo Puccini, who died a century ago. Henrietta Bredin explains how his colourful life influenced his melodramatic plot lines
The colour revolution
Toxic, dull or fast-fading pigments had long made it tricky for artists to paint verdant scenes, but the 19th century ushered in a viridescent explosion of waterlili
Bullace for you
The distinction between plums, damsons and bullaces is sweetly subtle, boiling down to flavour and aesthetics, but don’t eat the stones, warns John Wright
Lights, camera, action!
Three remarkable country houses, two of which have links to the film industry, the other the setting for a top-class croquet tournament, are anything but ordinary
I was on fire for you, where did you go?
In Iceland, a land with no monks or monkeys, our correspondent attempts to master the art of fishing light’ for Salmo salar, by stroking the creases and dimples of the Midfjardara river like the features of a loved one
Bravery bevond belief
A teenager on his gap year who saved a boy and his father from being savaged by a crocodile is one of a host of heroic acts celebrated in a book to mark the 250th anniversary of the Royal Humane Society, says its author Rupert Uloth
Let's get to the bottom of this
Discovering a well on your property can be viewed as a blessing or a curse, but all's well that ends well, says Deborah Nicholls-Lee, as she examines the benefits of a personal water supply
Sing on, sweet bird
An essential component of our emotional relationship with the landscape, the mellifluous song of a thrush shapes the very foundation of human happiness, notes Mark Cocker, as he takes a closer look at this diverse family of birds