FOR the sake of posterity, I had better acknowledge in this issue that we have left the EU. The immediate question is what to do with the signs around the farm? These proclaim the generosity of the EU for funding various ‘schemes’ under the familiar blue-and-gold flag (thereby letting the neighbours know what a subsidy junkie I have been).
I consider taking them down and storing them safely so that I can fondly imagine my great-grandchildren taking them on the Antiques Roadshow: ‘Back in the early 21st century, before laboratory food, there were people called farmers, who were paid public money for public food by an empire called the European Union and then along came Brexit and the British Government changed the policy to public money for public goods.’ However, my instinctive fear of officialdom prevents me, in case some apparatchik of the Green State comes and asks for all the money back.
Stepping out of the Farmers’ Club onto the pavements of Whitehall, I realise that Homo rusticus has evolved differently in his outer skin from H. urbanus. The soles of my shoes are letting in water, something that never happens at home, as H. rusticus wears shoes indoors and wellies outdoors.
Diese Geschichte stammt aus der February 19, 2020-Ausgabe von Country Life UK.
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Diese Geschichte stammt aus der February 19, 2020-Ausgabe von Country Life UK.
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Save our family farms
IT Tremains to be seen whether the Government will listen to the more than 20,000 farming people who thronged Whitehall in central London on November 19 to protest against changes to inheritance tax that could destroy countless family farms, but the impact of the good-hearted, sombre crowds was immediate and positive.
A very good dog
THE Spanish Pointer (1766–68) by Stubbs, a landmark painting in that it is the artist’s first depiction of a dog, has only been exhibited once in the 250 years since it was painted.
The great astral sneeze
Aurora Borealis, linked to celestial reindeer, firefoxes and assassinations, is one of Nature's most mesmerising, if fickle displays and has made headlines this year. Harry Pearson finds out why
'What a good boy am I'
We think of them as the stuff of childhood, but nursery rhymes such as Little Jack Horner tell tales of decidedly adult carryings-on, discovers Ian Morton
Forever a chorister
The music-and way of living-of the cabaret performer Kit Hesketh-Harvey was rooted in his upbringing as a cathedral chorister, as his sister, Sarah Sands, discovered after his death
Best of British
In this collection of short (5,000-6,000-word) pen portraits, writes the author, 'I wanted to present a number of \"Great British Commanders\" as individuals; not because I am a devotee of the \"great man, or woman, school of history\", but simply because the task is interesting.' It is, and so are Michael Clarke's choices.
Old habits die hard
Once an antique dealer, always an antique dealer, even well into retirement age, as a crop of interesting sales past and future proves
It takes the biscuit
Biscuit tins, with their whimsical shapes and delightful motifs, spark nostalgic memories of grandmother's sweet tea, but they are a remarkably recent invention. Matthew Dennison pays tribute to the ingenious Victorians who devised them
It's always darkest before the dawn
After witnessing a particularly lacklustre and insipid dawn on a leaden November day, John Lewis-Stempel takes solace in the fleeting appearance of a rare black fox and a kestrel in hot pursuit of a pipistrelle bat
Tarrying in the mulberry shade
On a visit to the Gainsborough Museum in Sudbury, Suffolk, in August, I lost my husband for half an hour and began to get nervous. Fortunately, an attendant had spotted him vanishing under the cloak of the old mulberry tree in the garden.
