FINE ARTS PARIS, established as an Old Master paintings fair five years ago, is gently expanding into other disciplines to fill the gap left by the long-running Biennale des Antiquaires, which has essentially given up the ghost. The new fair (November 6–11) will bring together 50-plus exhibitors in the Carrousel du Louvre, including a number from outside Paris and abroad. Antiquities, Oriental and non-Western works of art will be represented, as well as Old Masters, 19th-century and some 20th-century paintings and drawings. There will also be three carefully selected jewellers— care being needed, as jewellers were not always collegiate participants at the Biennales, one even trying to keep their clients from visiting other stands.
The underground Carrousel du Louvre incorporates walls of the 14th-century fortress that preceded the palace and this year’s fair entrance has been designed to echo them.
Fine Arts Paris is run by the organisers of the enjoyable and successful annual Salon du Dessin drawings fairs and the Paris art trade is confident that the cantankerous infighting that marred the last Biennales will not resurface. In place of the attitude that it was more important to be a national showcase than a forum for sales—which did little to encourage overseas participants—Paris, boosted by Brexit, is showing a determination to resume its place as the major art-world capital, attracting international buyers and sellers.
Diese Geschichte stammt aus der October 20, 2021-Ausgabe von Country Life UK.
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Diese Geschichte stammt aus der October 20, 2021-Ausgabe von Country Life UK.
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Save our family farms
IT Tremains to be seen whether the Government will listen to the more than 20,000 farming people who thronged Whitehall in central London on November 19 to protest against changes to inheritance tax that could destroy countless family farms, but the impact of the good-hearted, sombre crowds was immediate and positive.
A very good dog
THE Spanish Pointer (1766–68) by Stubbs, a landmark painting in that it is the artist’s first depiction of a dog, has only been exhibited once in the 250 years since it was painted.
The great astral sneeze
Aurora Borealis, linked to celestial reindeer, firefoxes and assassinations, is one of Nature's most mesmerising, if fickle displays and has made headlines this year. Harry Pearson finds out why
'What a good boy am I'
We think of them as the stuff of childhood, but nursery rhymes such as Little Jack Horner tell tales of decidedly adult carryings-on, discovers Ian Morton
Forever a chorister
The music-and way of living-of the cabaret performer Kit Hesketh-Harvey was rooted in his upbringing as a cathedral chorister, as his sister, Sarah Sands, discovered after his death
Best of British
In this collection of short (5,000-6,000-word) pen portraits, writes the author, 'I wanted to present a number of \"Great British Commanders\" as individuals; not because I am a devotee of the \"great man, or woman, school of history\", but simply because the task is interesting.' It is, and so are Michael Clarke's choices.
Old habits die hard
Once an antique dealer, always an antique dealer, even well into retirement age, as a crop of interesting sales past and future proves
It takes the biscuit
Biscuit tins, with their whimsical shapes and delightful motifs, spark nostalgic memories of grandmother's sweet tea, but they are a remarkably recent invention. Matthew Dennison pays tribute to the ingenious Victorians who devised them
It's always darkest before the dawn
After witnessing a particularly lacklustre and insipid dawn on a leaden November day, John Lewis-Stempel takes solace in the fleeting appearance of a rare black fox and a kestrel in hot pursuit of a pipistrelle bat
Tarrying in the mulberry shade
On a visit to the Gainsborough Museum in Sudbury, Suffolk, in August, I lost my husband for half an hour and began to get nervous. Fortunately, an attendant had spotted him vanishing under the cloak of the old mulberry tree in the garden.
