ONE of the first decisions made by the Bank of England’s Banknote Characters Advisory Committee after it was joined by the historian and curator Sandy Nairne was to put J. M. W. Turner on the new £20 note that is to be launched tomorrow. The reverse of the banknote shows the painter’s youthful self-portrait in front of The Fighting Temeraire being tugged along the Thames Estuary to her final berth, one of his and the public’s favourites of his works. It was doubly fitting that Mr Nairne should have been involved in the choice, for not only is he a former director of the National Portrait Gallery, but he has come up with a line in praise of the River Thames that deserves to stand with the famous quotations by Spenser, Morris and John Burns: ‘A curving spine for the history and landscapes of England,’ he wrote in a blog.
The river could be said to have had the same importance in Turner’s life, from his birth in Covent Garden a couple of hundred yards from it in 1775, to his death in 1851, only feet above the riverbank at Chelsea. At various times, he lived beside it—at Brentford, Isleworth, Hammersmith and Twickenham—and he owned the Ship and Bladebone public house at Wapping. He saw the Thames not only with the eye of a painter, but with that of a sailor and of a fisherman.
Diese Geschichte stammt aus der February 19, 2020-Ausgabe von Country Life UK.
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Save our family farms
IT Tremains to be seen whether the Government will listen to the more than 20,000 farming people who thronged Whitehall in central London on November 19 to protest against changes to inheritance tax that could destroy countless family farms, but the impact of the good-hearted, sombre crowds was immediate and positive.
A very good dog
THE Spanish Pointer (1766–68) by Stubbs, a landmark painting in that it is the artist’s first depiction of a dog, has only been exhibited once in the 250 years since it was painted.
The great astral sneeze
Aurora Borealis, linked to celestial reindeer, firefoxes and assassinations, is one of Nature's most mesmerising, if fickle displays and has made headlines this year. Harry Pearson finds out why
'What a good boy am I'
We think of them as the stuff of childhood, but nursery rhymes such as Little Jack Horner tell tales of decidedly adult carryings-on, discovers Ian Morton
Forever a chorister
The music-and way of living-of the cabaret performer Kit Hesketh-Harvey was rooted in his upbringing as a cathedral chorister, as his sister, Sarah Sands, discovered after his death
Best of British
In this collection of short (5,000-6,000-word) pen portraits, writes the author, 'I wanted to present a number of \"Great British Commanders\" as individuals; not because I am a devotee of the \"great man, or woman, school of history\", but simply because the task is interesting.' It is, and so are Michael Clarke's choices.
Old habits die hard
Once an antique dealer, always an antique dealer, even well into retirement age, as a crop of interesting sales past and future proves
It takes the biscuit
Biscuit tins, with their whimsical shapes and delightful motifs, spark nostalgic memories of grandmother's sweet tea, but they are a remarkably recent invention. Matthew Dennison pays tribute to the ingenious Victorians who devised them
It's always darkest before the dawn
After witnessing a particularly lacklustre and insipid dawn on a leaden November day, John Lewis-Stempel takes solace in the fleeting appearance of a rare black fox and a kestrel in hot pursuit of a pipistrelle bat
Tarrying in the mulberry shade
On a visit to the Gainsborough Museum in Sudbury, Suffolk, in August, I lost my husband for half an hour and began to get nervous. Fortunately, an attendant had spotted him vanishing under the cloak of the old mulberry tree in the garden.
