BANJO MAN
Guideposts|November 2020
This Marine veteran was tormented by memories of the Vietnam War. Learn how music was his salvation
DON EMBREY
BANJO MAN

I pulled a piece of curly maple from a stack at the specialty wood shop. I checked its color, its grain, its sturdiness. This would be the neck of the banjo I was building. It needed to be exactly right. To feel right in my hands, right from the start.

I’d built dozens of banjos over the years, but this one was different. You could say my life’s story would be in this banjo. A lifetime of mistakes, self-destruction and redemption. I wanted this banjo to tell that story, to share my truth, every time it was played.

At last I found the perfect piece. I loaded it into my truck and headed for my workshop at home.

I grew up outside Washington, D.C., not far from where I now live in Virginia. It wasn’t a happy childhood. My dad was a quiet man, a hard worker. But when he drank, he became mean.

I was terrified of ending up like him. As soon as I was old enough, I joined the Marines. The Vietnam War was on, and I landed in the middle of it.

My tour lasted 13 months. I came home haunted by what I’d seen over there. Haunted too by a question: Why did I make it back when so many of my friends didn’t?

I hadn’t realized how strongly public opinion had turned against the war. The first time I went out wearing my uniform, I was taunted and spat on. In the eyes of some people, I was a monster, a killer.

I didn’t know what to think. I had served my country. But I’d also witnessed horrific suffering. Death and destruction. I put my Marine uniform away. I would try to forget all about Vietnam and just move on with my life.

Diese Geschichte stammt aus der November 2020-Ausgabe von Guideposts.

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Diese Geschichte stammt aus der November 2020-Ausgabe von Guideposts.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

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