Society has long been dominated by men – for over 10,000 years and counting, in fact. Patriarchy as a social system first took root around 9,000 BC, when agriculture was invented. Back then, land and property was passed down the male line by default, and so men came to the fore – and have remained there ever since. Centuries on, men are still vastly more likely than women to hold positions of power in both the physical and virtual realms.
But what if we could create a whole new world – one where both men and women have a seat at the table? This is one of the principles underpinning Web3, which is essentially a decentralised, democratised version of the Internet built on blockchain technology, thus dramatically changing the way information is stored and shared.
In this utopian virtual reality, power isn’t wielded by a select few entities, as it is in Web2 – the version of the Internet we know today, where large corporations provide services in exchange for users’ personal data. Instead, ownership and control lie with the masses, and decisions are made as a collective. And for some women, this represents a chance to level the playing field and build a more equitable society for all.
MORE EQUAL OPPORTUNITIES
However, the truth is that Web3 is still very much a boys’ club. Take the cryptocurrency industry, for instance. While bitcoin is aimed at encouraging financial equity, less than 5 per cent of crypto entrepreneurs are women, according to crypto platform Crypto Head. Crypto exchange Gemini also states that three in four crypto holders are men. This gender gap is also all too apparent in the NFT economy: Research firm Arttactic notes that only 16 per cent of NFT artists are female, and that male creator represent a whopping 77 per cent of art sales.
Diese Geschichte stammt aus der July 2022-Ausgabe von Her World Singapore.
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Diese Geschichte stammt aus der July 2022-Ausgabe von Her World Singapore.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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TREASURE ISLAND
When plans to demolish the Merlion Tower on Sentosa were announced in 2019, some Singaporeans were sad to see one of the island's most iconic attractions go. After all, the quirky creature – with the head of a lion and the body of a fish – had been a significant part of their memories of Sentosa.The 37m-tall, 12-storey structure, completed in 1996 and designed by Australian sculptor James Martin, was a focal point for laser light shows and projections that transformed its ivory facade into a vibrant display of colours.The Merlion Tower was a popular attraction for families. Singaporean couple Anand and Vrunda Patel would often take their children there for outings. Vrunda, now 50, fondly recalls climbing the structure and admiring the views of Sentosa from the Merlion's mouth. “Outside the Merlion, there was a beautiful step garden with flowing water. I used to love walking there,” she shares.Years later, the statue, covered in dirt and grime, required a refresh. The demolition was not only part of a larger vision to connect Resorts World Sentosa (RWS) in the north to the three beaches (Palawan, Tanjong and Siloso) on the island's south, it was also the start of a massive rebranding project to transform Sentosa from a recreational family destination to a premier lifestyle attraction.Today, Sentosa Sensoryscape stands in its place. Set within a lush landscape, the 30,000 sqm attraction features a 350m-long connector that leads visitors to six sensory gardens – where they can explore the gardens’ massive vessel-like sculptures, observe the various flora and fauna inhabiting the space, and interact with Instagrammable light displays through an augmented reality app after nightfall.“To attract younger visitors, our additional focus is on creating more authentic and immersive experiences, recognising that this demographic seeks deeper, more engaging interactions with the places they visit,” says Thien Kwee Eng, CEO, Sentosa Development Corporation (SDC).Just as Sensoryscape is designed to create an otherworldly atmosphere after dark, the Sentosa Night Mode campaign, launched in August, aims to introduce the island as a day-to-night destination for both locals and tourists, who would typically only make day trips to Sentosa. In addition to more nightlife events – such as the recent Waterbomb Festival, which saw about 10,000 revellers partying to a live K-pop line-up – the initiative includes extended operating hours at key attractions, along with street performances and dining promotions.It’s a move that has boosted visitorship to the island, with total numbers reaching 16 million this year.“This is a 20 per cent increase in the number of visitors as compared to the same period last year,” reveals Kwee Eng.
TAKING THE LEAP
It’s 10 am on a Monday, and Gan Guoyi, 40, walks into Jigger & Pony with a set of dry-cleaned clothes – a picture of calm amid the aftermath of last night’s chaos. The Singapore bar recently secured a spot in the Top 5 of The World’s 50 Best Bars 2024 list, announced in Madrid on Oct 23. To celebrate, she threw a three-night promotion from Nov 10, where customers enjoyed five premium cocktails for just $5 each at select bars like Gibson, Live Twice, Sugarhall, Como Pony Jakarta, and Jigger & Pony.Naturally, the event was a hit, and Guoyi, who was manning the guest list at Sugarhall, only managed a few hours of sleep the night before. Still, she arrives promptly to our photo shoot without complaints.
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