ANDRÉ LEON TALLEY’S LIFE in quarantine is not so different from the time before. He loves his house in White Plains and spends the days reading and watching Netflix in his UGG boots and trademark caftans in various shades of black and burgundy and olive green. Before our phone call, he warmed up a shepherd’s pie brought to him the night before by Alexandra Kotur, the creative director of Town & Country, which he ate on a “beautiful plate by Ralph Lauren.” He telephones regularly: Sandra Bernhard every day, Carolina Herrera every other, and Gloria von Thurn und Taxis, whom he calls his “missing sister.” He refers to everyone by their full name each time so there can be no confusion. He would love to hear from Anna Wintour, but she does not call.
“This is what matters in life: how you impact people, how people are impressed by you,” he says, his voice still mellifluous with grandeur. “Did you read the letter from Ralph Lauren in the back of my book?” No matter, he’ll read it aloud. His memoir, The Chiffon Trenches, is a fiercely treasured shoebox of memories he has collected throughout his career: summering at Karl Lagerfeld’s villa in Biarritz, dancing with Diana Ross at Studio 54, attending Marc Jacobs’s wedding. It is a reminder of his own once-lofty perch at the pinnacle of high fashion as the creative director of U.S. Vogue—the first and only black person to occupy that job. “As I saw it, I was meant to be by Anna Wintour at all times and encourage her visions,” he writes. “I’m not belittling myself to say my strength was in my ability to be beside a small, great, powerful white woman and encourage her vision.”
Diese Geschichte stammt aus der May 11–24, 2020-Ausgabe von New York magazine.
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Diese Geschichte stammt aus der May 11–24, 2020-Ausgabe von New York magazine.
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