The film had been sitting on a shelf, waiting to meet its public for a whole year (its initial release date had been December 18, 2020), and the original show’s lyricist, Stephen Sondheim, had died three days before. As Spielberg took the Rose Theater stage at Lincoln Center to pay tribute to his legendary friend and colleague and introduce his film, he prefaced his remarks by thanking Bob Iger, the former CEO of Disney (the parent company of 20th Century Studios), for deciding not to release the film on Disney+ and to wait until it could safely open in theaters.
This was far from the most notable moment of his speech; most outlets that covered his remarks didn’t even mention it. Maybe that’s what was so notable about it. Yes, there was a new variant on the horizon. Yes, the audience that night had been both vaccinated and tested. And yes, the domestic box office was still a shadow of its former self. But a big New York movie was playing on a big New York screen to a big New York audience, and, at least for a moment, it all made perfect sense. A city and its movies were roaring back to life.
Diese Geschichte stammt aus der December 6-19, 2021-Ausgabe von New York magazine.
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Diese Geschichte stammt aus der December 6-19, 2021-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
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