Peter Dinklage on playing Hervé Villechaize and saying good-bye to Tyrion Lannister.
IN A HOTEL ROOM above midtown Manhattan, Peter Dinklage is discussing, among other things, his present—that’d be HBO’s My Dinner With Hervé, in which he plays the late Fantasy Island star Hervé Villechaize. (The TV movie is based on a real-life encounter between Villechaize and its writer director, Sacha Gervasi.) And on the sidewalk down below, some fans are waiting, clutching mementos of his past. That is, they’re hoping the actor will sign their Game of Thrones memorabilia when he leaves. (The show, in which he plays Tyrion Lannister, wrapped the shooting of its final season this past summer.) “I take more of an issue with fame than Hervé did,” says the 49-year-old Dinklage, who’s aware of the ways in which Villechaize’s celebrity was a precursor of his own. “It’s a dance, but one you can never control. As an actor, the best you can do is try to bring some honesty into your parts and hope people will follow.”
What did Hervé represent to you when you first became aware of him?
Well, Hervé and I had nothing in common but our height, but I remember thinking, He’s underused. I’d become aware of him around the same time everybody else did: I saw Fantasy Island. Later, when I became a teenager, my thinking about him got translated with more anger, like he was being used a certain way because of his size. But the funny thing is, I think I minded that much more than Hervé did, because he seemed to have genuine joy in being on Fantasy Island. And who was I as a young person living in New Jersey to judge that? Hervé was complicated, and this was the first time I’d played someone who’d been a living person. It challenged my judgments.
What were those judgments?
Diese Geschichte stammt aus der October 29, 2018-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der October 29, 2018-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten