THE LATEST ERA FOR THE elite mainstream media—that is, the heavily paywalled, rule-bound, college-educated-reader-focused American news media—has been marked by a rolling journalistic reassessment of how women are covered. This began with the investigations into Harvey Weinstein five years ago. More recently, readers have followed along as writers (and their editors) explore how journalism has historically treated women as sex objects and punch lines. Most notably: Britney Spears became the subject of esteemed investigative projects and mournful personal essays; Justin Timberlake was shamed into apologizing to Spears and Janet Jackson; Paris Hilton took to the Washington Post and Congress to crusade against the cruel “troubled teen” industry and was treated with respect for the first time; Kim Kardashian, future Esq., was no longer to be blamed for the horrible things her ex-husband might say. And as the media has begun to reckon with its misogynistic recent history, its business model has changed in ways that reward this kind of interrogation. Publications from the New York Times to The Atlantic to this magazine have doubled down on serving paying subscribers. Our paywalls have become tighter; our quest for elite readers more thirsty.
Diese Geschichte stammt aus der June 06 - 19, 2022-Ausgabe von New York magazine.
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Diese Geschichte stammt aus der June 06 - 19, 2022-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Early and Often: David Freedlander - Momentum vs. Machine The Trump and Harris campaigns battle it out for every last vote.
WIth two weeks left to go, the contours of the 2024 presidential election are clear: Both campaigns need voters who usually don’t vote, and Kamala Harris needs to bring the Democratic coalition, including its Trump-curious members, back home.While the Republican side plans to spend the remaining days of the contest trying to lure low-propensity voters to the polls, the Harris team will attempt to persuade voters of color to return to its side and will try to increase numbers among white voters in previously red suburbs.
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
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A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
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A retrospective reveals an architect's vision, optimism, and supreme arrogance.
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In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.