I LAST WENT to the Metropolitan Opera on March 6, and the anxious sensation that viral clouds might be pulsing through the hall, borne on waves of Wagner, convinced me it was past time for the city’s cultural life to go dormant. A couple of days later, it did. Now, as New York reawakens, the performing-arts world is desperate for clues to its future. The city’s status as a cultural capital depends on a world-spanning arts machine that sucks up talent and pumps out performances night after night. The sudden halt, followed by protracted slumber, could leave a lot of wreckage: artists who change careers or retire prematurely, audiences that drift away, donors who decide they’d rather fund social causes and medical research, organizations that can’t afford their mortgages. According to Governor Andrew Cuomo’s timetable, theaters and concert halls will be part of the fourth and last phase of reopening, but even the brand-name institutions wonder how easily they can pick up where they left off.
“I’ve never dealt with such a fluid and changeable situation,” says New York Philharmonic president Deborah Borda. “We don’t know whether our music director will be allowed back into the country, whether artists will be able to come from Europe or Asia, or whether there will be testing for the audience. What about testing orchestra members every single day? There are literally hundreds of questions.” And no easy answers. “For the performing arts, the idea of a V-shaped recovery is not possible,” the Met’s general manager, Peter Gelb, says. “It’s going to be slow.”
Diese Geschichte stammt aus der June 22 - July 05, 2020-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der June 22 - July 05, 2020-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten