Pretending to be tourists with the BlacKkKlansman star.
JOHN DAVID WASHINGTON is spinning a story about his father. He has a lot of them, but this one, from when he was 4 or 5, is really lodged in there. “He did Glory, and I remember being on set for the big scene when he dies,” he says, telling it the way you only do with formative childhood memories—hazily, with dicey detail. He recalls sitting in video village with his mom when his dad came “out of the darkness and smoke, on a hill, in a blue suit. He looks at me and says: ‘Son, you want to come down here, check out the set?’” For whatever reason, presumably to protect him from watching his dad die take after take, his mom said, “No.” But it didn’t matter; something about that experience made Washington want to be an actor.
It’s probably clear by now, as Washington has spent his life reluctantly admitting, the father in his story is Denzel Washington. I feel bad. Because once you learn who his dad is, it’s impossible not to spend several minutes trying to find the Denzel in his face. In addition to examining precisely how tight his white polo shirt is and how well groomed his luxuriously thick beard is, I try to see if he has his dad’s megawatt smile, or if his milk-chocolate-brown eyes are like his dad’s. Maybe it’s in the way he carries his five-foot-nine frame? Eventually I tell him, “You look nothing like your dad.” He seems grateful to hear that.
Diese Geschichte stammt aus der August 6, 2018-Ausgabe von New York magazine.
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Diese Geschichte stammt aus der August 6, 2018-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
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