For Maggie Gyllenhaal, taking a role on The Deuce was a trust exercise, in more ways than one.
MAGGIE GYLLENHAAL and David Simon were having a civilized lunch one day when she mentioned, ever so calmly, that she wanted to masturbate on television. “I told him, and he sort of pretended to spit his water out,” she says, arranging her long body on the short wooden chair of a coffee shop not far from her Brooklyn brownstone. Gyllenhaal and Simon were discussing her role in The Deuce, the new HBO series from Simon, the creator of The Wire, and George Pellecanos, about the birth of the 42nd Street porn scene. Gyllenhaal had received the first three scripts as well as an offer to play Candy, a 1970s prostitute, which she thought would be “a very delicate thing to do in 2017.” The scripts were compelling, but Gyllenhaal didn’t know where her character’s story would go or what she, as an actor, would ultimately be asked to do. “When David called me, I said to him, ‘Obviously, my body is going to be required, but I also want to know that you’re interested in my mind. And that’s going to be part of what comes with having me in this process,’ ” she recalls now. “He was like, ‘I need you to trust me.’ And I was like, ‘I want to, but …’ ”
Diese Geschichte stammt aus der August 21–September 3, 2017-Ausgabe von New York magazine.
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Diese Geschichte stammt aus der August 21–September 3, 2017-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
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