For Maggie Gyllenhaal, taking a role on The Deuce was a trust exercise, in more ways than one.
MAGGIE GYLLENHAAL and David Simon were having a civilized lunch one day when she mentioned, ever so calmly, that she wanted to masturbate on television. “I told him, and he sort of pretended to spit his water out,” she says, arranging her long body on the short wooden chair of a coffee shop not far from her Brooklyn brownstone. Gyllenhaal and Simon were discussing her role in The Deuce, the new HBO series from Simon, the creator of The Wire, and George Pellecanos, about the birth of the 42nd Street porn scene. Gyllenhaal had received the first three scripts as well as an offer to play Candy, a 1970s prostitute, which she thought would be “a very delicate thing to do in 2017.” The scripts were compelling, but Gyllenhaal didn’t know where her character’s story would go or what she, as an actor, would ultimately be asked to do. “When David called me, I said to him, ‘Obviously, my body is going to be required, but I also want to know that you’re interested in my mind. And that’s going to be part of what comes with having me in this process,’ ” she recalls now. “He was like, ‘I need you to trust me.’ And I was like, ‘I want to, but …’ ”
Diese Geschichte stammt aus der August 21–September 3, 2017-Ausgabe von New York magazine.
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Diese Geschichte stammt aus der August 21–September 3, 2017-Ausgabe von New York magazine.
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THE BEST ART SHOWS OF THE YEAR
IN NOVEMBER, Sotheby's made history when it sold for a million bucks a painting made by artificial intelligence. Ai-Da, \"the first humanoid robot artist to have an artwork auctioned by a major auction house,\" created a portrait of Alan Turing that resembles nothing more than a bad Francis Bacon rip-off. Still, the auction house described the sale as \"a new frontier in the global art market.\"
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A STRANGE THING happened with podcasts in 2024: The industry was repeatedly thrust into the spotlight owing to a preponderance of head-turning events and a presidential-election cycle that radically foregrounded the medium's consequential nature. To reflect this, we've carved out a list of ten big moments from the year as refracted through podcasting.
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THE YEAR IN CULTURE - BEST BOOKS
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IT'S BEEN a year of successful straight plays, even measured by a metric at which they usually do poorly: ticket sales. Partially that's owed to Hollywood stars: Jeremy Strong, Jim Parsons, Rachel Zegler, Rachel McAdams (to my mind, the most compelling).
THE BEST ALBUMS OF THE YEAR
2024 WAS one big stress test that presented artists with a choice: Face uncomfortable realities or serve distractions to the audience. Pop music turned inward while hip-hop weathered court cases and incalculable losses. Country struggled to reconcile conservative interests with a much wider base of artists. But the year's best music offered a reprieve.
THE BEST TELEVISION OF THE YEAR
IT WAS SURPRISING how much 2024 felt like an uneventful wake for the Peak TV era. There was still great television, but there was much more mid or meh television and far fewer moments when a critical mass of viewers seemed equally excited about the same series.
THE BEST COMEDY SPECIALS OF THE YEAR
THE YEAR IN CULTURE - COMEDY SPECIALS
THE BEST MOVIES OF THE YEAR
PEOPLE LOVED Megalopolis, hated it, puzzled over it, clipped it into memes, and tried to astroturf it into a camp classic, but, most important, they cared about it even though it featured none of the qualities you'd expect of a breakthrough work in these noisy times.
A Truly Great Time
This was the year our city's new restaurants loosened up.
The Art of the Well-Stuffed Stocking
THE CHRISTMAS ENTHUSIASTS on the Strategist team gathered to discuss the oversize socks they drape on their couches and what they put inside them.