I meet Dave Grohl the day after a mid-September Foo Fighters gig that almost didn’t happen. A lingering fog had left the band’s private jets stranded on the JFK tarmac for almost four hours; Live Nation asked the members to record a video to play inside Syracuse’s St. Joseph’s Health Amphitheater, which seats more than 17,000, announcing the show had been canceled. Moments before Grohl made the call, he got the all-clear from the pilot. Foo Fighters raced into St. Joe’s flanked by a police escort, opening with the triumphant “Times Like These.” Weather delays are no sweat for the rock lifer, whose path to arena-front-man status wove through Scream, the venerable D.C. punk outfit he left in 1990, to Nirvana, whose meteoric ascent ended abruptly with the death of Kurt Cobain. Foo Fighters, a project that began as a batch of solo demos and ballooned into a brotherhood of punk and emo vets, will be inducted into the Rock & Roll Hall of Fame this month, making Dave a two-time honoree after Nirvana’s induction in 2014. Between the ceremony and the rollout of his new memoir, The Storyteller: Tales of Life and Music, Grohl is in a reflective mood.
It’s the fall of 1991. Nirvana is in the middle of a club tour when Nevermind is released. It sells a few thousand copies in the first few weeks. By the end of the year, it’s selling hundreds of thousands per week. At what point do you notice things have changed?
Diese Geschichte stammt aus der October 25 - November 7, 2021-Ausgabe von New York magazine.
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Diese Geschichte stammt aus der October 25 - November 7, 2021-Ausgabe von New York magazine.
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THE BEST ART SHOWS OF THE YEAR
IN NOVEMBER, Sotheby's made history when it sold for a million bucks a painting made by artificial intelligence. Ai-Da, \"the first humanoid robot artist to have an artwork auctioned by a major auction house,\" created a portrait of Alan Turing that resembles nothing more than a bad Francis Bacon rip-off. Still, the auction house described the sale as \"a new frontier in the global art market.\"
THE BIGGEST PODCAST MOMENTS OF THE YEAR
A STRANGE THING happened with podcasts in 2024: The industry was repeatedly thrust into the spotlight owing to a preponderance of head-turning events and a presidential-election cycle that radically foregrounded the medium's consequential nature. To reflect this, we've carved out a list of ten big moments from the year as refracted through podcasting.
THE BEST BOOKS OF THE YEAR
THE YEAR IN CULTURE - BEST BOOKS
THE BEST THEATER OF THE YEAR
IT'S BEEN a year of successful straight plays, even measured by a metric at which they usually do poorly: ticket sales. Partially that's owed to Hollywood stars: Jeremy Strong, Jim Parsons, Rachel Zegler, Rachel McAdams (to my mind, the most compelling).
THE BEST ALBUMS OF THE YEAR
2024 WAS one big stress test that presented artists with a choice: Face uncomfortable realities or serve distractions to the audience. Pop music turned inward while hip-hop weathered court cases and incalculable losses. Country struggled to reconcile conservative interests with a much wider base of artists. But the year's best music offered a reprieve.
THE BEST TELEVISION OF THE YEAR
IT WAS SURPRISING how much 2024 felt like an uneventful wake for the Peak TV era. There was still great television, but there was much more mid or meh television and far fewer moments when a critical mass of viewers seemed equally excited about the same series.
THE BEST COMEDY SPECIALS OF THE YEAR
THE YEAR IN CULTURE - COMEDY SPECIALS
THE BEST MOVIES OF THE YEAR
PEOPLE LOVED Megalopolis, hated it, puzzled over it, clipped it into memes, and tried to astroturf it into a camp classic, but, most important, they cared about it even though it featured none of the qualities you'd expect of a breakthrough work in these noisy times.
A Truly Great Time
This was the year our city's new restaurants loosened up.
The Art of the Well-Stuffed Stocking
THE CHRISTMAS ENTHUSIASTS on the Strategist team gathered to discuss the oversize socks they drape on their couches and what they put inside them.
