ON THE LAST FRIDAY in September, two-dozen protesters descended on the co-op 740 Park Avenue, laying crosses, small Stars of David, and Islamic crescents on the grassy median in front of the building, each one symbolizing another thousand of New York’s covid dead. They chose this building, an imposing Art Deco behemoth known in the tabloids as the “Tower of Power,” because it is home to the highest concentration of billionaires in the United States. “Billionaires are experts at social distancing, and they are excluded from the communities that they have an impact on, and so we are bringing our rage and our suffering to them because they are so complicit in what is happening in New York right now,” said Alice Nascimento, one of the protest’s organizers. “They get rich, and we die.”
The protest was one of dozens that had sprung up in the city since June, when a reckoning with racism collided with a global pandemic that had left millions jobless in New York alone. The next day, the Democratic Socialists of America protested in front of Mike Bloomberg’s house a few blocks away from 740 Park, and for weeks before that, there had been a series of loud marches and drum circles on the tonier streets of the Hamptons and in front of Jeff Bezos’s Manhattan apartment. All of this harkened back to the Occupy days, and the days of the recession before that, and the one before that, with protesters calling for more taxes on the rich and more justice for everyone else.
Diese Geschichte stammt aus der November 23 - December 6, 2020-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der November 23 - December 6, 2020-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
The Water-Tower Penthouse
Gigi Loizzo and Angel Molina's apartment on the Grand Concourse in the Bronx looks out on Yankee Stadium.