EILEEN MYLES, the poet and novelist and East Village literary figure, winner of a Guggenheim and author of the cult classic Chelsea Girls, first heard the city was planning to demolish East River Park last September. The reason given was flood protection. The area had been devastated by Hurricane Sandy. But Myles was incredulous and got in touch with a group of activists working to save the park. Myles had never really liked activism—“I never have the impulse to pick up a bullhorn in front of a crowd, and the only thing I hate more is seeing other people do it,” they told me—but this was different. This was their park.
Myles began to make noise, research the situation, and email everyone they knew. So it was that, on an unseasonably warm December day, I met Myles and a small group of activists from East River Park Action, or ERPA, at the park’s Corlears Hook entrance. What I found as we walked through the park was an untrammeled piece of Old New York. We started at the giant compost yard near Corlears Hook, the largest food-scrap compost in the city, operated by the Lower East Side Ecology Center since 1998. We passed the historic amphitheater where Joseph Papp staged Julius Caesar in 1956 before moving the production uptown, where it became Shakespeare in the Park. We walked under the Williamsburg Bridge, where a few people were fishing, and up to the track where Myles liked to jog. The East River glittered in the sun. The park was ramshackle—and people loved it.
Diese Geschichte stammt aus der May 10 - 23, 2021-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der May 10 - 23, 2021-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten