The Deuce revisits an era of sex and crime that we’re too quick to glamorize.
NOSTALGIA FOR AMERICA in the 1970s kicked off in earnest 20 years ago with Paul Thomas Anderson’s Boogie Nights and has continued unabated ever since. Those who actually lived through the decade might raise an eyebrow at the various films and television series that celebrate what Tom Wolfe in this magazine famously dubbed the Me Decade: that awkward bridge between the chaotic, utopian ’60s and the unapologetic materialism of the ’80s. It’s often the perception of lawlessness, sleaze, and machismo that drives storytellers back to the era of wide-lapel shirts, platform heels, medallions, and cocaine. The appeal lies not in what was actually happening and whom it was happening to, but in a collective sense that the ’70s was the last era in which men could be macho, women and people of color “knew their place,” casual sex wasn’t freighted with fear of terminal illness, and you could say anything that popped into your head without fear of censure. HBO traveled down this pop-culture road just recently with Vinyl, a one-season disaster set against the backdrop of the record industry in New York City. That show flopped, despite its sumptuous production values and superb performances, because it was less an examination of alpha-male narcissism than a celebration of it—Mad Men with louder music and without the layered, intricate sense of history and psychology.
Diese Geschichte stammt aus der September 4-17, 2017-Ausgabe von New York magazine.
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Diese Geschichte stammt aus der September 4-17, 2017-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Early and Often: David Freedlander - Momentum vs. Machine The Trump and Harris campaigns battle it out for every last vote.
WIth two weeks left to go, the contours of the 2024 presidential election are clear: Both campaigns need voters who usually don’t vote, and Kamala Harris needs to bring the Democratic coalition, including its Trump-curious members, back home.While the Republican side plans to spend the remaining days of the contest trying to lure low-propensity voters to the polls, the Harris team will attempt to persuade voters of color to return to its side and will try to increase numbers among white voters in previously red suburbs.
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
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A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
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A retrospective reveals an architect's vision, optimism, and supreme arrogance.
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Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.