Lives of the Extremely Online, onstage in Octet.
DAVE MALLOY’S extraordinary new chamber-choir musical Octet uses a simple structure to go spelunking into a complex, ominous, continuously exquisite series of caves. He’s taking on the never-sleeping, ever-proliferating “monster” that is the internet, with its infinite rabbit holes and terrifying back alleys. And his nimble, humane investigation into the “addiction, obsession, insomnia, depression … isolation, anxiety,” and—despite it all—possibility of that vast virtual country feels both playful and intensely personal. Malloy himself was at the center of an online rage storm back in 2017 when his musical Natasha, Pierre & the Great Comet of 1812, a scrappy downtown darling turned Broadway cult favorite, made some controversial casting choices in the face of low ticket sales. Two years later, one of the many exhilarating aspects of Octet is that it shows an artist making lemonade, turning painful experience into intricate, gorgeous music.
Diese Geschichte stammt aus der May 27 - June 9, 2019-Ausgabe von New York magazine.
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Diese Geschichte stammt aus der May 27 - June 9, 2019-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Early and Often: David Freedlander - Momentum vs. Machine The Trump and Harris campaigns battle it out for every last vote.
WIth two weeks left to go, the contours of the 2024 presidential election are clear: Both campaigns need voters who usually don’t vote, and Kamala Harris needs to bring the Democratic coalition, including its Trump-curious members, back home.While the Republican side plans to spend the remaining days of the contest trying to lure low-propensity voters to the polls, the Harris team will attempt to persuade voters of color to return to its side and will try to increase numbers among white voters in previously red suburbs.
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
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What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
