IT WAS EARLY june when I first spoke to Rachel Noerdlinger, and she was worrying about the casket. George Floyd’s memorial service in Minneapolis was to be held in 48 hours, and she was considering how images of the coffin, conspicuously placed at the front of the university sanctuary, might impact the national psyche after ten days of protests. It was the family’s call, of course, but she fretted that they might want the casket to be open, as it had been in the case of Sean Bell. (“I can still picture his face,” Noerdlinger says now. “It’s just blech.”) But Noerdlinger wanted to ensure that Floyd remained in the public mind as long as possible, as “a human being, not a lifeless vessel.”
Noerdlinger was in hyperdrive. Officially, she is a communications strategist, but she prefers the designation “media activist,” a label she learned from her oldest and most visible client, the Reverend Al Sharpton. She first heard the chant “No justice, no peace” out of Sharpton’s mouth more than two decades ago, she told me; he first proposed anti-chokehold legislation after Eric Garner was killed. Noerdlinger has orchestrated press coverage of about 15 instances of Black men being killed by police, but this time was different. A generation of young people raised on cell phones, wanting instant gratification and results, newly politicized since 2016, mistrustful of Establishment institutions, “quarantined in their house, sitting around, not watching sports but watching a Black man be executed on television. The outcry was instantaneous.”
Diese Geschichte stammt aus der July 6-19, 2020-Ausgabe von New York magazine.
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Diese Geschichte stammt aus der July 6-19, 2020-Ausgabe von New York magazine.
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THE BEST ART SHOWS OF THE YEAR
IN NOVEMBER, Sotheby's made history when it sold for a million bucks a painting made by artificial intelligence. Ai-Da, \"the first humanoid robot artist to have an artwork auctioned by a major auction house,\" created a portrait of Alan Turing that resembles nothing more than a bad Francis Bacon rip-off. Still, the auction house described the sale as \"a new frontier in the global art market.\"
THE BIGGEST PODCAST MOMENTS OF THE YEAR
A STRANGE THING happened with podcasts in 2024: The industry was repeatedly thrust into the spotlight owing to a preponderance of head-turning events and a presidential-election cycle that radically foregrounded the medium's consequential nature. To reflect this, we've carved out a list of ten big moments from the year as refracted through podcasting.
THE BEST BOOKS OF THE YEAR
THE YEAR IN CULTURE - BEST BOOKS
THE BEST THEATER OF THE YEAR
IT'S BEEN a year of successful straight plays, even measured by a metric at which they usually do poorly: ticket sales. Partially that's owed to Hollywood stars: Jeremy Strong, Jim Parsons, Rachel Zegler, Rachel McAdams (to my mind, the most compelling).
THE BEST ALBUMS OF THE YEAR
2024 WAS one big stress test that presented artists with a choice: Face uncomfortable realities or serve distractions to the audience. Pop music turned inward while hip-hop weathered court cases and incalculable losses. Country struggled to reconcile conservative interests with a much wider base of artists. But the year's best music offered a reprieve.
THE BEST TELEVISION OF THE YEAR
IT WAS SURPRISING how much 2024 felt like an uneventful wake for the Peak TV era. There was still great television, but there was much more mid or meh television and far fewer moments when a critical mass of viewers seemed equally excited about the same series.
THE BEST COMEDY SPECIALS OF THE YEAR
THE YEAR IN CULTURE - COMEDY SPECIALS
THE BEST MOVIES OF THE YEAR
PEOPLE LOVED Megalopolis, hated it, puzzled over it, clipped it into memes, and tried to astroturf it into a camp classic, but, most important, they cared about it even though it featured none of the qualities you'd expect of a breakthrough work in these noisy times.
A Truly Great Time
This was the year our city's new restaurants loosened up.
The Art of the Well-Stuffed Stocking
THE CHRISTMAS ENTHUSIASTS on the Strategist team gathered to discuss the oversize socks they drape on their couches and what they put inside them.