The Odd Future leader sends mixed messages on his best album so far.
CONSIDER FOR A MOMENT that Odd Future—those SoCal skate rats and potheads who were taken to task for homophobia six years ago—have secretly been the queerest uprising in the history of mainstream hip-hop. Frank Ocean shocked everyone by coming out on the eve of the release of his debut studio album, Channel Orange, and still topped the charts. Engineer Syd Bennett stepped out of her role as mixer and DJ and blossomed as the lead singer of soul band the Internet, where she writes songs about women with a warmth the sexaholics on urban radio lack. Steve Lacy, Bennett’s guitarist since 2015’s elegant Ego Death, has hinted that he’s bisexual but, like Frank, resists labeling his sexuality.
References on the new Tyler, the Creator album Flower Boy about same-sex romance (“I been kissing white boys since 2004,” he raps in “I Ain’t Got Time!”) have recast the Odd Future story in a new light. Was Tyler using his out friends as a shield to defend his use of gay slurs? Or did he have more in common with them than he cared to say? His bluesy dee youth, kid, thought it was a phase / Thought it’d be like the phrase ‘Poof! Gone’ / But it’s still going on.” Foggy fan theories immediately suggested Tyler was just joking— anything to sidestep the idea he might be lifting the veil on his own unspoken truth.
Diese Geschichte stammt aus der August 7–20, 2017-Ausgabe von New York magazine.
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Diese Geschichte stammt aus der August 7–20, 2017-Ausgabe von New York magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
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