Even so, the promise of circumventing the artisanal aspect of the creation process was too great, so she kept at it. Trial and error became an important part of her work. Large would intentionally run designs through the printer that were structurally unsound to test the device’s limits. When she got stuck, she consulted YouTube and online forums. The final bowls and vases she developed look like they’ve been ripped straight from the colourful digital realms of Tron or Ready Player One. “There’s no painting, there’s no coating on the object,” she says. “I like that it’s coming out of the computer, out of the machine. I take it out and I don’t touch it so that it’s closest to the file.”
Diese Geschichte stammt aus der November 2021-Ausgabe von Robb Report Singapore.
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Diese Geschichte stammt aus der November 2021-Ausgabe von Robb Report Singapore.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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