Can the supercrims of Task Force X save DC’s faltering cinematic universe? Jordan Farley witnesses superhero cinema break bad on the Toronto set of Suicide Squad
When Batman V Superman was released earlier this year it didn’t just promise an epic clash of the titans, it was also the launch pad for an Extended Universe road-mapped right through to 2020. Things didn’t exactly go to plan. After a critical beat down and toxic word of mouth, BvS made a relatively under whelming $872 million at the box office, well short of the expected billion dollar benchmark, leading many to wonder what DC could do to earn back the goodwill they squandered. The answer was already in the can.
JOKER IN THE PACK?
It’s July 2015 and SFX is at Pinewood Toronto Studios, base of operations for David Ayer’s big-screen Suicide Squad adaptation. The facility’s humongous sound stages are currently home to several of the tailor-made cells for Belle Reve penitentiary’s notorious inmates, as well as a full-size train station entrance modeled on New York’s Penn Station. A massive battle between Task Force X – the super villains forced to fight for their government – and a mysterious, otherworldly threat known as the Eyes of the Adversary is due to be shot here later in the week, but today filming has moved to Buttonville Municipal Airport where the Squad, recently released from prison and freshly implanted with coercive nanite bombs in their necks, are reunited with the gear confiscated when they were thrown in the slammer.
Diese Geschichte stammt aus der September 2016-Ausgabe von SFX.
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Diese Geschichte stammt aus der September 2016-Ausgabe von SFX.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS