Giorgio Armani takes his Cruise 2020 collection to Japan, where the similarities between the designer and the country run deeper than what meets the eye.
Fashion knows no boundaries, in both the literal and figurative sense of the phrase. The industry’s interim cruise (otherwise known as resort) collections have, with every season, taken to far flung locations just as they have built picture-perfect sets that transport the audience to awe-inspiring destinations. While cruise collections have planted flags on destinations across the globe, Italian designer Giorgio Armani has persisted on keeping his runway presentations close to home.
Armani’s purview detracts from the fashion circuit’s knack for setting the world up to be its stage. “I do not agree with this. After all, resort collections are mainly commercial; they have to be saleable and appeal to buyers,” said Armani at a press conference prior to his cruise 2020 showing.
If he were to take his cruise collection beyond Milan, it would be within good reason. For cruise 2020, Armani presented his eponymous label’s runway presentation at the capital of Japan, Tokyo. The impetus for the move, unlike at most fashion houses, had little to do with the inspirations the designer drew from the city but instead it was a paean to the brand’s longstanding relationship with Japan.
Unbeknownst to most, Armani’s influence in Japan dates back to the former years of his career. “I opened three stores there in the late ’80s because I could see that the Japanese customer would relate to my creations,” said Armani in an exclusive interview released by the brand. “My dialogue with the Japanese customer and with the citizens of Tokyo has been on-going since: in 1998 my Spring/Summer collections for Giorgio Armani were presented in Tokyo, and in 2005, the touring retrospective exhibition of my work organised by the Guggenheim Museum was put on at the Mori Art Museum in the city,” he continued.
Diese Geschichte stammt aus der July 2019-Ausgabe von T Singapore: The New York Times Style Magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der July 2019-Ausgabe von T Singapore: The New York Times Style Magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Look At Us
As public memorials face a public reckoning, there’s still too little thought paid to how women are represented — as bodies and as selves.
Two New Jewellery Collections Find Their Inspiration In The Human Anatomy
Two new jewellery collections find their inspiration in the human anatomy.
She For She
We speak to three women in Singapore who are trying to improve the lives of women — and all other gender identities — through their work.
Over The Rainbow
How the bright colours and lively prints created by illustrator Donald Robertson brought the latest Weekend Max Mara Flutterflies capsule collection to life.
What Is Love?
The artist Hank Willis Thomas discusses his partnership with the Japanese fashion label Sacai and the idea of fashion in the context of the art world.
The Luxury Hotel For New Mums
Singapore’s first luxury confinement facility, Kai Suites, aims to provide much more than plush beds and 24-hour infant care: It wants to help mothers with their mental and emotional wellbeing as well.
Who Gets To Eat?
As recent food movements have focused on buying local or organic, a deeper and different conversation is happening among America’s food activists: one that demands not just better meals for everyone but a dismantling of the structures that have failed to nourish us all along.
Reimagining The Future Of Fashion
What do women want from their clothes and accessories, and does luxury still have a place in this post-pandemic era? The iconic designer Alber Elbaz thinks he has the answers with his new label, AZ Factory.
A Holiday At Home
Once seen as the less exciting alternative to an exotic destination holiday, the staycation takes on new importance.
All Dressed Up, Nowhere To Go
Chinese supermodel He Sui talks about the unseen pressures of being an international star, being a trailblazer for East Asian models in the fashion world, and why, at the end of the day, she is content with being known as just a regular girl from Wenzhou.
