Women on the silver screen had just begun to showcase a certain confidence, independence and joie de vivre. And ’90s superstar Raveena Tandon infused each of her performances with her distinguishable brand of physical energy and natural femininity. Paromita Vohra, writer-filmmaker, has a conversation with the accidental actor to examine the space she occupied on celluloid in her heyday, and follows her evolution into an even more self-aware sex symbol since then.
People who grew up in the 1990s will remember the advertisements for Maggi Hot and Sweet Sauce starring Jaaved Jaaferi and Pankaj Kapur. One of which featured this very entertaining line about the joys of having a colour TV: “Channel One — London, Channel Do — Raveena Tandon.”
I’m smiling at the memory of it as I sit before Raveena Tandon now, in 2019, as we talk of her 28-year film career and what it meant to be an actress in the ’90s. She is strikingly beautiful, disarmingly candid, naming names, airing opinions and girlishly voluble, but with an uncommon ability to pay attention to questions and really think about them before responding.
“Although I came from a film family, I guess we were very non-filmi. My mother sent me to school with oil in my hair for years, and people would mock me, calling me ‘vernie’ (vernacular) or ‘behenji’ (dork) or be like, ‘Your dad works in Hindi films? Eww!’” We laugh because as part of a certain generation, we remember acutely a time when any Bollywood love you had, had to remain firmly in the closet, and public life and coolness was all about acting as if you only liked ‘English’ movies and ‘English’ music.
“Acting wasn’t really in my plans as such. I was studying and thinking of doing the IPS exam, or becoming a pilot. But I was in the middle of an internship with Prahlad Kakkar, when I got a call from Shantanu Sheorey’s office saying they had heard of me on the college scene and wanted to shoot me. That led to my doing an ad for Sunsilk. Then I ended up doing more ads — one for Bisca noodles, one for Dollops ice-cream. I was just 15 or 16, drifting along like most young people do. I thought, ‘Ok, I’ll do this now.’”
Diese Geschichte stammt aus der January-February 2019-Ausgabe von Verve.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der January-February 2019-Ausgabe von Verve.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Making Amends
This generation’s penchant for thoughtless consumption gets Madhu Jain roiled up, and she wonders if nature is getting its own back for our missteps…
Diamonds With Provenance
In keeping with the company’s commitment to environmental and social responsibility, Anisa Kamadoli Costa, chief sustainability officer at Tiffany & Co. and chairman and president at The Tiffany & Co. Foundation, enlightens Shirin Mehta on the efforts that make the jewellery giant an industry leader in transparency
SARTORIAL ECONOMICS
Sisters Tashi and Tara Mitra demonstrate to Akanksha Pandey how deviating from the mainstream can bend the way we think, live and dress
NOTES TO SELF
An anthropomorphized tiger’s perspective, a viscerally worded futuristic interpretation of loss, a critique of performative activism, a meta reflection on the earth’s crises. Told through different lenses, Janaki Lenin, Indrapramit Das, Keshava Guha and Roshan Ali’s stories — written exclusively for Verve — attempt to make sense of the fraught reality that we exist in today
The Eternal Optimist
As Generation X and xennials grapple with fully transitioning to conscious living, young millennials and Generation Z are leading the charge to reverse human-caused environmental damage. Sahar Mansoor, founder and CEO of the Bengaluru-based zero-waste social enterprise Bare Necessities, has a simple overarching philosophy: consume less and stay positive. Verve gets deeper into the mindset of the action-oriented earth advocate
Redemption SONGS
Indian music festivals have been demonstrating a refreshing sense of responsibility in terms of their ecological impact. Interacting with stakeholders who strive to make these large-scale events greener, Akhil Sood investigates the reasons behind the improved attitudes of audiences and the increase in corporate support.
earth hour
Crafted using nature’s elements, these dials draw inspiration from the many heterogeneous materials and hues around us.Verve turns its lens onto a mesmerising few
THE KIDS ARE ALL RIGHT
Children are holding adults accountable for both the grim future they are facing and the toll this is taking on their mental health. Madhumita Bhattacharyya initiates conversations with families of young climate activists and observes the extent to which parenting has changed in the face of catastrophe
NATURAL JUSTICE
Most of us are only just waking up to the urgency of climatic action. When the stakes are so high, what can individual action solve? Mridula Mary Paul, an environmental policy expert, is proof of the tenacity needed to effect systemic change. It’s not glamorous, and the rewards are few and far between, but that doesn’t stop her from aiming big, finds Anandita Bhalerao
Along For The Ride
Navigating Indian streets as a woman is hard enough. But what is it like while riding a bicycle? Bengaluru-based Shreya Dasgupta, a regular cyclist, speaks to five urban women about the pros and cons of this increasingly popular means of transport.
