Fraser T. Smith has been a force ubiquitous to the UK music scene, contributing his talents to 18 number one albums and picking up Grammy and Ivor Novello Awards. Over his 25-year career, he’s worked with Adele, Sam Smith, Gorillaz and Florence and the Machine, and helped shape the sound of UK rap and grime, producing Stormzy’s debut album Gang Signs & Prayer. After spending decades fulfilling the potential of others, Smith has now turned the tables on himself with his debut Future Utopia album 12 Questions. Touching on subject matters such as inequality, technology, gang violence and the environment, the remarkable 51-minute concept album reflects on Smith’s relationship with modern society and what he calls his ‘imposter syndrome’. Eliciting contributions from a litany of poets, artists, visionaries and session players including former Black Panther Albert Woodfox, rappers Kano, Stormzy and Dave, and heavyweight actor Idris Elba, 12 Questions is truly an album for our age.
Was there anyone person that was particularly influential to you becoming a producer?
“I came through as a musician… I started doing sessions as a guitar player in my mid-20s, worked out what this mythical word ‘producer’ meant and thought that was my true calling. I worked on pop sessions with people like Rick Wakeman where I was able to watch engineers and real producers, then studied the greats like George Martin and Phil Spector. Rick Rubin is probably my biggest influence in terms of his diversity across genres.”
When you go from songwriting with Adele to producing a hip-hop/grime artist like Stormzy, does it require a process of adaptation?
Diese Geschichte stammt aus der February 2021-Ausgabe von Future Music.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der February 2021-Ausgabe von Future Music.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
SONIC DESTRUCTION
From overdriven signal paths to rhythmic malfunctions, there’s plenty of creativity to be found by doing things just a little bit wrong
Feed Me
EDM producer Jon Gooch revives his cartoonish Feed Me moniker. Danny Turner finds out how the use of live instrumentation changed his production approach
Exploring Akai MPC
Leo Maymind takes a detailed look at an iconic groovebox whose influence helped shape modern hip-hop and much more besides
Liars
Dissolving the contours of rock and electronics, Danny Turner charts the making of Liars’ 10th album with Angus Andrew and Laurence Pike
Jean-Michel Jarre
The pioneering musician who introduced generations to futuristic sounds the first time around is at it again. He joins Matt Mullen to talk experiments in VR gigging, spatial audio and more...
Noise
With roots as far back as 1913, noise is the genre that’s also a state of mind
1010 Music Bitbox mk2 £549
Rob Redman finds out whether this updated sampler box of tricks contains any more surprises
Erica Synths and Sonic Potions LXR-02 £499
Rob Redman braces himself for another resurrected blast from the past
Modal SKULPTsynth SE £169
Modal are back with an update to their SKULPT synth. Bruce Aisher takes a listen to see if it can rustle up a big sound
Reason Studios Reason 12 £399
Now in both DAW and plugin realms, Reason gains a sampler and refreshed Combinator. Si Truss investigates