Given that recent world events have pretty much cancelled the entire global social and cultural calendar, many people have found themselves with an abundance of time on their hands. It’s not uncommon to find people taking on something new, from gardening to baking to misguided construction work – lots of people seem to have a project right now.
For British producer Joseph Thomas Price, aka Third Son, lockdown hasn’t meant putting music on hold though. Instead, he took advantage of the rare window in his schedule you the Everest of any musician’s career – his debut album. Not content with simply setting himself the goal of creating a full LP, Price publicly committed himself to the task of writing, recording and releasing the album within 20 days, while documenting the process on social media.
It was more than just an empty promise too. Having kicked the project off on 1 May, Price release the 11-track album, 20 Days, via his own Polymath label on 20 May. A blend of modular-powered electro percussion and bubbling techno synths, the resulting record acts as the perfect summation of Third Son’s influences and snapshot of where Price is at as a musician. FM caught up with him to find out more about the hows and whys of working to such a tight deadline.
Why did you decide to record an album in 20 days? What was the thinking behind the time limit, and why do it now?
“It was time for me to make an album. I wanted to do something that was challenging and I’ve always kind of known I work best under some sort of pressure. After hours of talking ideas through with my management I started to get excited by the idea of doing something unique.”
Beyond having the time-limit, did you have any other set concepts or influences guiding you?
Diese Geschichte stammt aus der August 2020-Ausgabe von Future Music.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der August 2020-Ausgabe von Future Music.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
SONIC DESTRUCTION
From overdriven signal paths to rhythmic malfunctions, there’s plenty of creativity to be found by doing things just a little bit wrong
Feed Me
EDM producer Jon Gooch revives his cartoonish Feed Me moniker. Danny Turner finds out how the use of live instrumentation changed his production approach
Exploring Akai MPC
Leo Maymind takes a detailed look at an iconic groovebox whose influence helped shape modern hip-hop and much more besides
Liars
Dissolving the contours of rock and electronics, Danny Turner charts the making of Liars’ 10th album with Angus Andrew and Laurence Pike
Jean-Michel Jarre
The pioneering musician who introduced generations to futuristic sounds the first time around is at it again. He joins Matt Mullen to talk experiments in VR gigging, spatial audio and more...
Noise
With roots as far back as 1913, noise is the genre that’s also a state of mind
1010 Music Bitbox mk2 £549
Rob Redman finds out whether this updated sampler box of tricks contains any more surprises
Erica Synths and Sonic Potions LXR-02 £499
Rob Redman braces himself for another resurrected blast from the past
Modal SKULPTsynth SE £169
Modal are back with an update to their SKULPT synth. Bruce Aisher takes a listen to see if it can rustle up a big sound
Reason Studios Reason 12 £399
Now in both DAW and plugin realms, Reason gains a sampler and refreshed Combinator. Si Truss investigates