He was the deep voice on “Rubber Bullets,” and part of the choir on “I’m Not In Love.” He sang of “An Englishman In New York,” lamented the “Snack Attack” and he soared skyward on “Cry.”
Between the early 1970s and the late 1980s, Kevin Godley possessed one of the most recognizable voices in rock, while he was also one half of the team that produced some of the most captivating videos of the MTV era, from Duran’s “Girls on Film” to the Police’s “Every Breath You Take,” and onto Frankie Goes to Hollywood’s initial visual assault.
He conceived and directed the 1990 One World One Voice project (and looks forward to its reissue later this year), and he has been quietly active ever since, but never — for long — in musical terms. One of the world’s great singers, one of its greatest ever songwriters… he just found other things to do.
Until, sometime around 2016/2017, when he had a rather peculiar idea.
It was 10 years since he and fellow ex-10cc-er Graham Gouldman struck out as GG/06, a short-lived but extraordinarily thoughtful duo who cut half a dozen songs for their website and then parted again. A couple of years since Hog Fever, an audiobook that just happened to have a handful of songs in the midst of it. And talking to Goldmine in 2016, he acknowledged “I’d love to write and record a (solo) album, but it’s an outmoded format. I think Kanye West has the right idea. Keep improving the recordings; keep updating them, changing them. Confound the audience as well as thrilling them.
“That said, I’d love to make more music for its own sake.”
So he did.
Diese Geschichte stammt aus der October 2020-Ausgabe von GOLDMINE.
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Diese Geschichte stammt aus der October 2020-Ausgabe von GOLDMINE.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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THE GRAND POOBAH!
SINCE THEIR INCARNATION in the early 1970s, the band Poobah have recorded over a dozen albums with various lineups, while openi ng for some of rock and roll’s biggest names.
THE MAKING OF PEARL
JANIS JOPLIN IN 1970: A NEW B AND AND THE MAKING OF HER CLASSIC ALBUM, PEARL.
There Must Have Been Something in the Water
If The Beatles never happened, if the British invasion never occurred, then music fans around the world would more than likely never have been exposed to some of the finest white blues singers that the U.K. produced between 1964 and 1970.
The SAGA Continues
SAGA WERE NOT THE ONLY band to make an album during the pandemic — far from it.
Ten Years After MORE THAN 50 YEARS LATER
DRUMMER RIC LEE TALKS TO GOLDMINE ABOUT A TEN YEARS AFTER DELUXE EDITION OF THE A STING IN THE TALE ALBUM AND HIS RECENTLY RELEASED MEMOIR, FROM HEADSTOCKS TO WOODSTOCK.
SUZI QUATRO IS BACK!
WITH A NEW ALBUM, THE DEVIL IN ME, THIS PIONEERING FEMALE ROCKER REMAINS AS DRIVEN AND DETERMINED AS EVER
RE-SHAKE & RE-MAKE
WITH THE RERELEASE OF THEIR DEBUT ALBUM, SHAKE YOUR MONEY MAKER, THE BLACK CROWES FLY HIGH BY REFLECTING ON THEIR ROOTS.
LOVE FOR PEARL
2021 will be a big year for fans of Janis Joplin. The Rock and Roll Hall of Fame in Cleveland is curating a special exhibit devoted to her that is scheduled to open in May.
Q&A WITH JANIS' SIBLINGS, LAURA AND MICHAEL JOPLIN
Q&A WITH JANIS’ SIBLINGS, LAURA AND MICHAEL JOPLIN
CHERISHING CITY TO CITY A timeless classic by GERRY RAFFERTY
It’s early 1978 and the new single by Scottish singer-songwriter Gerry Rafferty, “Baker Street,” is blasting out on the airwaves on my small transistor radio.