Q: HOW LONG DID IT TAKE YOU TO LEARN TO PLAY GUITAR AND SING AT THE SAME TIME? ALSO, WAS IT SCARY TRANSITIONING TO ME AND THAT MAN’S CLEAN VOCAL STYLE? — NICHOLAS ANGELO
You know what’s the scariest? The worst is having no guitar, and just doing vocals. [Laughs] That’s the worst. Every guitar player that sings will tell you that. I’ve always had a guitar and been a songwriter. I couldn’t even play well for years, and I would keep making songs, writing lyrics and singing along. I had this vision and it took me at least a decade or longer to become an okay instrumentalist. It’s still tricky. Yesterday we did a tour preproduction and I found out it’s not going to be super easy to perform “Rom 5:8” off the latest record. Because when we did the record, I never rehearsed singing the songs. I leave the singing for the vocal tracking. Then I have to relearn the whole thing [for the tour]. Honestly one of the reasons there’s backing vocals in Behemoth live is that sometimes I cannot pull it off. Sometimes it’s too much vocal traffic, and I’m going to kill my voice. And then it’s also attractive for the spectators to see the band performing and the interaction between the vocals. It’s always cool, plus it makes it easier for me to pull it all off.
Q I love that you use White Falcons in Me and That Man. How’d you get hooked up with Gretsch? — Halelly
Diese Geschichte stammt aus der May 2020-Ausgabe von Guitar World.
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Diese Geschichte stammt aus der May 2020-Ausgabe von Guitar World.
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Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
McKinley James - Why all you really need is a guitar, a drummer and some serious low-end six-string skills
Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). “For a moment, I was like, ‘What are we going to do?” James says. “But then I thought, ‘Well, other bands have succeeded as a duo. Maybe we can, too.”
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
