THE BROTHERS OSBORNE were making excellent headway on their upcoming third album — until the recent tornado that tore through Nashville brought things to a halt. “When it happened, my first thought was, ‘Man, I hope everybody’s safe,’ guitarist John Osborne explains. “Then my third or fourth worry was about my guitars. I realized that every nice guitar I own was at our producer Jay Joyce’s studio.”
As it turned out, Joyce’s East Nashville studio missed the brunt of the tornado’s wrath by a mere two blocks, but the power to the facility was knocked out, and with no word on when service would be restored, John and his singer-guitarist brother TJ were forced to seek another studio to resume recording. “Fortunately, we were able to move everything to Zac Brown’s Southern Ground studio, so we really didn’t miss much time,” John says. “It took us a day or so to re-adjust — the rooms and mics were all different — but to be honest, it was a nice change of scenery that gave us a new creative perspective. We knocked out three more songs in one day.”
Diese Geschichte stammt aus der July 2020-Ausgabe von Guitar World.
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Diese Geschichte stammt aus der July 2020-Ausgabe von Guitar World.
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Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
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TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
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WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
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PAT TRAVERS
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The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
